Скачать или смотреть Cairns on the Edge - (Epoch 2,080,000 BCE - Deep Magic)

   • Epoch 2,080,000 BCE - Deep Magic (High Fan...  
THE EPOCH OF THE DEEP MAGIC COMES TO A END, THE WORLD IS ON THE BRINK OF COLLAPSE, AS 12 CIVILIZATIONS ABUSE MAGIC WITH CATASTROPHIC RESULTS.

“Cairns on the Edge” — Nethra-Varuun/Elan-Turaya
Between the barrow-sunk demesnes of Nethra-Varuun and the sky-chasing caravans of Elan-Turaya lies a long, wind-gutted shelf where rot learns to fly. The last necropolis hills taper into broken cliffs, their crypts split open to the sky; from those fissures, pale spore-mist and ember-dust stream upward, caught and stretched into glowing veils by relentless crosswinds. Old Nethran ossuary towers double as wind-harps here, ribs and chains humming when the gusts rise, their low dirges braided with the high, laughing whistles of Elan glide-kites sweeping the thermals above. On the ground, half-sunk barrow markers act as waystones for the first horizon-caravans: wheels leaving tracks across soil that still remembers burial rites. By night, the sky is a duel of omens—sour green corpse-lights drifting up from the barrows, and broad river-bands of aurora spilling down toward the plains—until the two blur together at the rim of sight into a single, restless line: the gravewind, always blowing toward the next horizon.

EPOCH 2,080,000 BCE - Deep Magic — The Album
Epoch 2,080,000 BCE is a mythic-sci-fi concept album framed as danceable relics from a lost age: temple anthems, border-realm interludes, and ritual talk-tracks pulled from the moment before everything breaks. The sound starts with retrowave/synthwave and folds in strange time signatures and harmonic twists inspired by prog and jazz fusion—then drowns it all in surreal, saturated magic. Each track is tied to one of twelve first civilizations and their custom “microgenres,” from storm-ridden caravan beats to barrow-depth necrosynth, designed to work as club-level hooks even while they feel alien, ancient, and wrong in just the right way.

EPOCH 2,080,000 BCE — The World
The setting is Earth around 1.52 million BCE, in the final glow of the First Epoch. The continents of Mu, Lemuria, Atlantis and the old continents are crowded with city-hives, prism citadels, root-grown metropoles, and barrow networks—every road, weapon, and heartbeat powered directly by magic. Twelve great cultures shape reality through elemental and conceptual sorcery, and the fabric of the world is fraying under the strain: storms that remember names, cities orbiting monoliths, rivers that carry dreams instead of water. Unseen above this saturation of spellwork, thirty-six Transcendents are coalescing—the future gods of later ages—about to be born in a single catastrophic “correction” that will erase most of what these songs describe. This album lives in the last nights before that event.

Note: This is an AI-assisted science-fiction/fantasy concept album, part of an experiment in AI-driven worldbuilding, music prompting, and visual design. No humans were harmed in the making of this epoch.#synthwave #retrowave #fantasy #aimusic #electronicmusic