A TRIBUTE TO POLY STYRENE OF X RAY SPEX PART 3

X-Ray Spex were an English punk rock band formed in 1976 in London.

During their first incarnation (1976–1979), X-Ray Spex released five singles and one album.[1] Their 1977 single "Oh Bondage Up Yours!" and 1978 debut album Germfree Adolescents are widely acclaimed as classic punk releases.[sources 1] The band has briefly reformed several times in the 1990s and 2000s.

Career
Initially, the band featured singer Poly Styrene (born Marion[11] Joan Elliott-Said) (alternatively spelled Marian[12] or Marianne[13]) on vocals, Jak Airport (Jack Stafford) on guitars, Paul Dean on bass, Paul 'B. P.' Hurding on drums, and Lora Logic (born Susan Whitby) on saxophone. This last instrument was an atypical addition to the standard punk instrumental line-up,[14] and became one of the group's most distinctive features. Logic played on only one of the band's records. As she was only fifteen, playing saxophone was a hobby and she left the band to complete her education.[15]

X-Ray Spex's other distinctive musical element was Poly Styrene's voice, which has been variously described as "effervescently discordant"[16] and "powerful enough to drill holes through sheet metal".[17] As Mari Elliot, Styrene had released a reggae single for GTO Records in 1976, "Silly Billy", which had not charted. Born in 1957 in Bromley, Kent, to a Somali father and a British mother, Poly Styrene became the group's public face, and remains one of the most memorable front-women to emerge from the punk movement.[18] Unorthodox in appearance, she wore thick braces on her teeth and once stated that "I said that I wasn't a sex symbol and that if anybody tried to make me one I'd shave my head tomorrow".[19] She later actually did at Johnny Rotten's flat prior to a concert at Victoria Park. Mark Paytress recounts in the liner notes for the 2002 compilation, The Anthology, that Jah Wobble, Rotten's longtime friend and bassist for his post-punk venture PiL, once described Styrene as a "strange girl who often talked of hallucinating. She freaked John out."[20] Rotten, known more for his outspoken dislikes and disdain than for praise and admiration, said of X-Ray Spex in a retrospective punk documentary, "Them, they came out with a sound and attitude and a whole energy—it was just not relating to anything around it—superb."[21]

Styrene was inspired to form a band by seeing the Sex Pistols in Hastings and, through their live performances, she and X-Ray Spex became one of the most talked about acts on the infant punk scene.[22] The band played twice at the punk club The Roxy during its first 100 days. In March, the band played with The Drones and Chelsea. In April, they shared the bill with the Buzzcocks, Wire, and Johnny Moped.[23] Their first Roxy gig was only their second live appearance. It was recorded and their anthem "Oh Bondage Up Yours!" was included on the influential Live at the Roxy WC2 album. Styrene was nineteen years old at the time of the recording.[24] The publicity from this gig led to a "near residency", particularly on Sunday nights, at 'The Man in the Moon' pub, King's Road, Chelsea, and record label interest.[25]

In late September 1977, a studio recording of "Oh Bondage Up Yours!" was released as a single. Today, the 45 is regarded as their most enduring artefact, both as a piece of music and as a sort of proto-grrrl catchphrase.[26][27] Opening with the spoken/screamed line, "Some people think little girls should be seen and not heard but I think—oh, bondage, up yours!", the song could be interpreted as a premonition of the riot grrrl movement 15 years later, although Styrene herself insists it was more intended as an anti-consumerist/anti-capitalist jingle, and was not exclusively feminist in nature.

Lora Logic left the band aged 16 in late 1977 to form a new group called Essential Logic. She was replaced on saxophone, first temporarily by John Glyn (who later joined Wreckless Eric's band), and then permanently by Rudi Thompson (also known as Steve Rudi).[28]

In November 1978, the band released their debut album. With the exception of "Identity", which was partially based on Styrene witnessing Bromley Contingent member Tracie O'Keefe slash her wrists in the restroom of the Roxy, the rest of Germfree Adolescents dealt with the anti consumerist theme.[29] Indeed, The Guardian newspaper described the album as containing "unrivalled anti-consumerism anthems".[30]

X-Ray Spex played at 'Front Row Festival', a three-week event at the Hope and Anchor, Islington in late November and early December 1977.[24] This resulted in the band's inclusion, alongside the likes of Wilko Johnson, 999, The Only Ones, the Saints, The Stranglers, and XTC, on a double album of recordings from the festival. Then, in February 1978, before the release of their second single, X-Ray Spex recorded the first of two sessions for John Peel at BBC Radio 1.[31] Their profile was further enhanced by playing a fortnight's residency at New York's CBGB's, even though the