Storm Fugue | Original Composition in G-Minor

Noteworthy features of this fugue (also included in the CLOSED CAPTIONS for closer analysis)
→ the answer modulates to the minor dominant as late as in the third measure, and the subject modulates back to the tonic in the last beat of the first measure
→ the tail of the subject has two implied voices: the lower one also features in the countersubject, the upper one (or its first bar) is sometimes used as a secondary countersubject (at 2:00, 3:08, 3:38), which is also why the head of the subject works in stretto with the tail; the latter also provides the thoroughly used rhythmic motif of ‘rest–8th–8th–8th’
→ the fugue features two inversions, one of the subject, one of the answer: the first one at 1:43 (with an inverted countersubject), the second one at 3:08 (with a partially inverted countersubject); there is also an inversion only of the tail of the subject at 2:18, following the tail of the normal subject

The fugue has three parts and is written for one player.

Inspiration: Bach’s ‘Kunst der Fuge’ (Art of the Fugue), which is based on the motif ‘scale degree 1, 5, 3 (1)’; this motif features in the answer of my fugue

Score: https://drive.google.com/drive/u/1/fo...

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