Скачать или смотреть LGBT themes in speculative fiction | Wikipedia audio article

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00:04:13 1 Critical analysis
00:09:42 2 Literature
00:09:52 2.1 Proto-SF
00:12:19 2.2 The pulp era (1920–30s)
00:15:13 2.3 The Golden Age (1940–50s)
00:19:21 2.4 The New Wave era (1960–70s)
00:31:43 2.5 Modern SF (post New Wave)
00:40:04 2.6 21st century
00:47:29 3 Comics and manga
00:49:25 3.1 Marvel
00:52:07 3.2 DC
00:57:22 3.3 Manga
01:00:06 4 Film and television
01:00:50 4.1 Film
01:06:05 4.2 Television
01:18:03 4.3 Slash fiction
01:21:58 5 Reaction of the speculative fiction community
01:26:10 6 LGBT speculative fiction awards
01:28:39 7 See also
01:28:49 8 Footnotes



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SUMMARY
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LGBT themes in speculative fiction refer to the incorporation of lesbian, gay, bisexual, or transgender (LGBT) themes into science fiction, fantasy, horror fiction and related genres. Such elements may include an LGBT character as the protagonist or a major character, or explorations of sexuality or gender that deviate from the hetero-normative.
Science fiction and fantasy have traditionally been puritanical genres aimed at a male readership, and can be more restricted than non-genre literature by their conventions of characterisation and the effect that these conventions have on depictions of sexuality and gender. However, speculative fiction also gives authors and readers the freedom to imagine societies that are different from real-life cultures. This freedom makes speculative fiction a useful means of examining sexual bias, by forcing the reader to reconsider his or her heteronormative cultural assumptions. It has also been claimed by critics such as Nicola Griffith that LGBT readers identify strongly with the mutants, aliens, and other outsider characters found in speculative fiction.
Before the 1960s, explicit sexuality of any kind was rare in speculative fiction, as the editors who controlled what was published attempted to protect their perceived key market of adolescent male readers. As the readership broadened, it became possible to include characters who were undisguised homosexuals, though these tended to be villains, and lesbians remained almost entirely unrepresented. In the 1960s, science fiction and fantasy began to reflect the changes prompted by the civil rights movement and the emergence of a counterculture. New wave and feminist science fiction authors realised cultures in which homosexuality, bisexuality and a variety of gender models were the norm, and in which sympathetic depictions of alternative sexuality were commonplace.
From the 1980s onwards, homosexuality gained much wider mainstream acceptance, and was often incorporated into otherwise conventional speculative fiction stories. Works emerged that went beyond simple representation of homosexuality to explorations of specific issues relevant to the LGBT community. This development was helped by the growing number of openly gay or lesbian authors and their early acceptance by speculative fiction fandom. Specialist gay publishing presses and a number of awards recognising LGBT achievements in the genre emerged, and by the twenty-first century blatant homophobia was no longer considered acceptable by most readers of speculative fiction. There was a concurrent increase in representation of homosexuality within non-literary forms of speculative fiction. The inclusion of LGBT themes in comic books, television and film continues to attract media attention and controversy, while the perceived lack of sufficient representation, along with unrealistic depictions, provokes criticism from LGBT sources.