Swept Plaster (To Samuel Ross)

SXT (Extended Interludes)
www.estaniscomella.com
TGA 2022©

Part 1.
Folding by the reverse.
Knots dispersed, give matter its function. As matter.
They found each other as an extension, conforming
a cloth - of different pressures, wrapping the skin,
appear the contours hidden.
(chorus)
Seams. By the reverse.
(chorus)
Structural panels, movements,
they come with traces.
Swept plaster.
(chorus)
Sew each other as a thread through the gestures.

Axis fleece. Knitted. A soft mesh underneath.
Covers the shoulders and sheds to the tiers.

(Interlude)

Part 2.
A display for raindrops.
The coming dawn. Clay dries on the rubber cuts.
The air pushes the fabric against the loin as a tarpaulin.

Tensed by nylon yarns.

Outdoors - indoors, Trellick pants, were wrinkled
by the pressure of the fold behind the knee and the heat.
And the piece - formed a rough surface of concrete.

You are covered but fresh in the heat, and stay warm on the breeze.
Balanced - Subject areas. From the large ones 'til those that get shorter
as they get further from the core. From inside to the outside.
And then, retains the warmth - all those layers covered by a thin one,
a coating that is so light.
And colourful among all of those grey variations.
Moves structural through - like if they were vertical planes,
with a limited range of movements.

Give time its function.

Patterns already worn out combined with not worn out yet ones.

In a cycle - It works that way from the start. The label deploys its forms,
extended geographies as geometric motifs. Fragmented.
Arkrose candle in the room, a Rupture table isolated.