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"Mack the Knife" or "The Ballad of Mack the Knife" (German: "Die Moritat von Mackie Messer") is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera (German: Die Dreigroschenoper). The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.

The song has become a popular standard recorded by many artists after it was recorded by Louis Armstrong in 1955. The most popular version of the song was by Bobby Darin in 1959, whose recording became a number one hit in the US and UK and earned him two Grammys. Ella Fitzgerald also received a Grammy for her performance of the song in 1961.

Louis Armstrong version

A number of early artists recorded the song, including the cast recording and a jazz version by Sidney Bechet, but it was Louis Armstrong who first introduced the vocal version of "Mack the Knife" to the United States hit parade. George Avakian, a producer at Columbia Records, whose wife Anahid Ajemian gave a recital of Weill's Violin Concerto in 1954, became interested in Weill's music, in particular the song from the off-Broadway production of Three Penny Opera that he had seen. He spent a few months trying to interest various jazz artists from his label to record "Mack the Knife",eventually persuading Turk Murphy to record. Murphy also suggested Armstrong to Avakian for the recording, and made an arrangement of the song for him.

Armstrong recorded an instrumental together with a vocal version on September 28, 1955, while Murphy also recorded both instrumental version and vocal versions himself as well as one in German with Lotte Lenya on September 22, 1955. The lyrics of Armstrong's version were based on the Broadway cast recording, but Avakian suggested changing Blitzstein's lyrics by using the word "drooping" instead of "dropping", as well as including the name of Lotte Lenya in the recording. Armstrong gave a shout-out in the song to Lenya who was invited to the recording session by Avakian. Lenya also joined Armstrong to record a duet version which was not released commercially. Armstrong's released version was spliced together from the instrumental recording and the vocal version.

The song titled "A Theme from The Threepenny Opera (Mack the Knife)" was released in late 1955 together with an instrumental version by Murphy, both by Columbia. The song, however, faced an initial ban on the song by radio stations for lyrics perceived as glorification of a criminal, although it sold well. Armstrong's recording reached Billboard's Top 100 chart in February 1956, peaking at No 20 on March 17, 1956. An instrumental version released by Dick Hyman charted higher. Armstrong's version also reached No. 8 in the UK.

Armstrong's recording was inducted by the Library of Congress in the National Recording Registry in 2016.