Ruben Östlund on Triangle of Sadness and why he wanted to look at "beauty as a currency"

Few filmmakers can eviscerate social norms like Ruben Östlund. In his latest Palme d’Or-winning film, Triangle of Sadness, he brings his sharpest tool yet for the job. The Swedish director sat down with Q’s Tom Power at the Toronto International Film Festival to discuss the film, his fascination with social hierarchies and the economic value of beauty.

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