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From the bitter cold of winter on the Rocky Mountain front to the heat and mayhem of the summer's championship races in Montana and Idaho, Indian Relay follows three teams from different American Indian communities as they prepare for and compete in a grueling Indian Relay season. A mix of high-speed daring and exquisite horsemanship, Indian Relay is a sport widely enjoyed and practiced by men and women from tribal nations across the Rocky Mountain West. Each race begins with up to eight Indian athletes riding a horse bareback around a track at full gallop. After one lap, barely slowing down, the riders leap from their speeding horses to a second set of horses. Each team's "mugger" must then catch the first horse or the team will be disqualified, creating a chaotic melee of up to 32 people and 24 thoroughbreds in front of the grandstands. Another top-speed lap, another daring horse change, and the teams race for the finish line, at speeds topping 40 miles an hour.

Nationwide broadcasts of We Shall Remain and Before There Were Parks offered public television audiences vital historical indigenous perspectives, but throughout America there remains a wide array of misunderstanding about tribal citizens ranging from strong anti-Indian sentiments to over-romanticized notions of the noble savage. Along with the erroneous belief that all American Indians now receive free checks from the government, there's often considerable guilt about the hardships American Indians had to face after Europeans arrived in the Americas. Indian Relay helps overturn these stagnate stereotypes via a watchable, present-day story full of excitement, humor, knowledge and self-determination.

Featuring remarkable high-speed cinematography, the thread of the film is the lead-up to the Indian Relay National Championships at The Eastern Idaho State Fair in Blackfoot, Idaho. Along the way, the film presents viewers with questions fundamental to American Indian life today. For example-as with the Kendall Old Horn family from the Apsáalooke (Crow) Nation-how can one keep alive an ancient relationship-based culture when it has been nearly completely overrun by a modern, commodity-based one? Ultimately, Indian Relay tells the story of what every championship-winning Indian Relay team must have: great horses, amazing horsemanship, guts, incredible determination-and most importantly-family.

A broadcast-hour for public TV audiences, Indian Relay opens with footage from the Indian Relay National Championships. Then it cuts back in time, nine-months earlier, to the bitterly cold off-season. Near Browning, Montana, we see first-time Relayer Myles Murray trying to keep his new horses alive when it's 20-degrees below zero. In Crow Agency, Montana, we watch Zack Rock and Kendall Old Horn steadily work through the cold towards their ultimate goal. Near Ft. Hall, Idaho we travel with Lance Tissisimit and Alonzo "Punkin" Coby to buy a retiring flat-track race horse-next season's rookie Relay horse. The season begins and soon enough there are unexpected turns and even tragedies, but each day brings us closer to the end of the film at the Indian Relay National Championships in Blackfoot, Idaho.

Fully and enthusiastically supported by the Indian Relay racing community, Indian Relay is a unique opportunity to share with public television audiences an accurate and authentic view of this exciting aspect of modern American Indian culture. Directed and produced by 2010 NW Regional Emmy-award winner, Charles Dye and MontanaPBS, Indian Relay was written by Montana educator and poet M.L. Smoker, and features beautiful vérité and high-speed cinematography by Emmy-award winning cinematographers Daniel Schmidt, Dawson Dunning and Rick Smith. Katie Lose Gilbertson was the film's editor and it was executive produced by Aaron Pruitt of MontanaPBS.