Скачать или смотреть 7 Rules On How To Engage Music Supervisors- Ep. 1

Are you confused about the right way to approach the people that can license your music? In this talk we'll gain insights from industry leaders on be practices for engaging music supervisors.

This audio was recorded via Clubhouse.

Major topics:
Music Supervisors are Human Beings - Act Accordingly [9:13]
Follow Aggressively - DM Cautiously [15:36]
Find out what do they need [17:56]
Keep Conversation Brief [22:11]
Look for opportunities to pay for access [32:01]
Follow Up Reasonably (not ridiculously) [57:13]
End of The Day, It’s All about The Music [1:13:29]

Audience Q&As:
Q: Have you guys found that collaboration is a big part of building your network? [01:17:56]
Q: If I’m sending music to be pitched, should I include the explicit, clean, and instrumental version in case they want to try different things with it? [1:20:07]
Q: Do you have any specific examples of a good subject line? [1:22:06]
Q: What can I do/say in my first email to let you know that the legal portion of my music is taken care of? [1:23:33]
Q: What is the process of me getting access to someone’s email? Is it okay to message them though instagram? [1:24:45]
Q: How do I find the music supervisor? [1:28:01]
Q: Does your relationship with the music supervisor/publisher affect the way you write your emails? [1:30:31]
Q: What are some of the platforms that make it easier for music supervisors to access all of the information that they need? [1:34:45]
Q: How important is it to have the acapella mix? [1:36:47]
Q: Do you have any experience with an indie artist whose unreleased song fits perfectly for a project and does momentum help with the synergy of the release date for the project when they’re both anticipating a release date? [1:41:13]
Q: If it’s a group of writers working on a song together and you all have agreed to have 100 percent right to pitch and clear, do you have to include that in the subject line of your email when messaging a music supervisor? [1:45:01]
Q: What’s the best way to go about connecting with a music supervisor? [1:46:41]
Q: Is there a specific theme that you look for more?[1:48:51]
Q: What is the format for submitting to sync licensing? Do music supervisors prefer it to be in a wave file versus an mp3? [1:50:58]
Q: Would it be beneficial or annoying to send male and female versions of songs every time they send them out? [1:53:51]
Q: How close you music supervisors work with music editors?[1:54:36]
Q: What if you’re not good with networking? [2:00:06]

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