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To encourage and cherish the practice of the arts, Bengal Foundation organised the Bangla Sangskriti Utsab, a 10-day cultural festival in Sylhet from February 22 to March 3, 2017. Over 400 poets-writers-singers-musicians-dancers-stage actors-craftspersons-painters performed and engaged in various kinds of programming at the festival, over the ten days.

This rendition of Radharaman Dutta’s song "Ami krishna kothay pai", by Shamim Ahmed, was performed on stage at the Bangla Sangskriti Utsab, in Sylhet, in 2017. The artist is accompanied on stage by musician Moniruzzaman on the flute; xxxx on the Dhol; Shishir on the Mandolin; Ekram Hossain on the Kartaal; Asit Biswas on the Esraj; Enamul Haque Omar on the Tabla; and Binod Roy on the keyboard.

Song-writer, composer, and Baul Radharaman Dutta was born in Sunamganj, Sylhet, in 1833. Sunamganj is located in the Bhati region, comprising of low-lying areas washed and flooded by rivers and ebb-tides, in large tracts of the Mymensingh, Tripura and Sylhet districts. The region is renowned for its prodigious turnout of musicians and mystics.

Radharaman Dutta's vaishnavism shaped his musical work and led him to a life of asceticism. The revival of the Dhamail tradition - a song and dance form recalling the union of Radha-Krishna, mainly performed by the womenfolk during marriages and other auspicious occasions – is attributed to him. In line with the Baul belief system, Radharaman’s songs emphasize spontaneity (sahaja) and the states of religious ecstasy and creativity that come of their own accord, without effort. His philosophy is also grounded in Deha-tatva, which seeks divinity in human beings. Radharaman died in 1915, at his own house, where there is a shrine today.

Radharaman may have composed over three thousand songs, referred to as Geet, and Dhamail compositions, during his lifetime. His songs are widely sung in Bangladesh and West Bengal, and in recent times, covered by many contemporary musicians.




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