Скачать или смотреть The Cinematic Tapestry of 1922: Exploring Early American Cinema, Photoplay, and Artistic Innovations

Dive into the multifaceted realm of early American cinema, specifically exploring the intricacies of the photoplay situation in 1922. Detailed and insights into the theoretical foundations discussed in the second chapter of book two, emphasizing the historical significance of the Photoplay of Action. Notable early commercial films, including Douglas Fairbanks' "The Three Musketeers," are discussed as successful examples of a "Chase-Picture."

This text, narrated with complementary soundtrack, also scrutinizes the mood of the intimate photoplay, expressing concerns about the trend towards over-athletic performances, with "A Romance of the Redwoods" serving as an illustration of a film highlighting a more delicate side of Mary Pickford. Chapters V to XII are briefly outlined, covering a range of topics such as Crowd Splendor, Patriotic Splendor, Religious Splendor, Sculpture-in-Motion, Painting-in-Motion, and Furniture, Trappings, and Inventions in Motion.

Additionally, this text provides critical analyses of "The Cabinet of Dr. Caligari," discussing its distinctive approach to inanimate objects in motion and offering insights into the technical and artistic qualities of various film genres. The exploration extends to Architecture-in-Motion and Thirty Differences between Photoplays and the Stage, advocating for films with minimal on-screen text and favoring photoplay hieroglyphics. Anita Loos is acknowledged as a distinguished title writer in the industry. This short excerpt offers a comprehensive understanding of the early days of American cinema and its diverse artistic dimensions.

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