Lucia Cossu voice teacher. Belcanto /

cossumethod is the cross bridging of advanced functional biomechanics findings into the context of voice and their specific relevance to serve voice production and artistic voice, both spontaneous and technical.

Lucia Cossu voiceteacher
Italian/French voice teacher for professionals and future pro singers, innovator in vocal technique specialised in training and personalised solutions, voice development and voice preparation for touring/recording, young voices development without forcing the delicate and respectful balance of young talents. She has solved strain/issues and limitations of singers unsolvable by training or medical therapies. Those skills have 15 years of successful career and voice transformations in all styles; hospitals have sent her some desperate cases, all successfully.

The innovative perspective has been recently presented at the prestigious Pan-European Voice Conference PEVoC14 2022 in one paper and two workshops and three Posters at The Voice Foundation 52nd Annual Symposium May 31- June 4 2023 in Philadelphia, she will be again at both in 2024 with two oral presentations, two workshops and two more Posters. She calls this perspective the (r)Evolution of voice model, or if you prefer cossumethod in the actual practice.

She comes from an international soloist career in classical music that a malpractice during an abdominal surgery has interrupted (the surgeon has been convicted).

I am very open and actively looking for team collaborations, testing the model I am thinking and hypothesis about the way of interactions, as said many times it is a field not existent at now proving to be ready the times to open it. Let's cross bridge and add this part of vocal system into basic science of voice.
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I am someone who can solve the reason why some people can’t be effective in a vocal technique or style, or when a professional can’t have the full or correct use of its instrument even with excellent teachers or coaches. Being frustrated by seeing some structural issues that made some singers think about them and never relax into a deeper dialog with music I tried to found ways to solve them forever. So I invented some physical exercises and discovered in what they were useful to a wider range of persons, separating the biomechanics in common from the individual precious way of arranging them. I found relations voice-muscular chains in a way not imagined by vocal field, in the parallel line of functional movement and joint by joint approach, and now I am pioneering the bridge from studies on biomechanics and movement science. It is a very specific work, nothing to do with others body practises for singers, useful but less precise for a vocal purpose. To be sure that the results with my students were really appropriate I put some people with and without vocal problems under medical control before and after our work together and it was confirmed the solution of their vocal problems in very short time, while a medical prevision of no improvement possible (https://luciacossu.com/cossu-method-p... ), those with no issues had confirmed an improvement in voice and posture.
That it is: a way to bring to voice (and voice styles and technique or even just natural voice) those who couldn’t before and to refine and find tools and expression for the advanced and the professionals.
It is a sort of way to put everybody to the starting positive point.