Скачать или смотреть Synchronized Charge Domain - The only shape the Universe remembers

Representative section of a synchronized charge domain, constituting a final equilibrium of vector- and scalar subfields. The original subfields are not directly interactive, but function as gauging fields of the fermionic ("matter creating") vortex (http://science.trigunamedia.com/subsp....

In the process of this fermionic binding, the original, transcendental vector- and scalar subfields become actually interactive i.e. bosonic. Unity is preserved by the subsequent association of the subfields, through a proces of bifurcation, and this results in a final, synchronized charge domain. In this final stage, the fermionic vortex still forms the conceptual backbone of the bifurcated system, yet is cancelled out of the physical equation. This suggests that physical reality should be seen as entirely bosonic, whereas the existence of fermions remains purely axiomatic.

In physics, the presence of the fermionic vortex manifests in the form of Pauli exclusion, which is entirely axiomatic and not understood in physical terms. Also the 720° rotational symmetry of the spinor representation of intrinsic spin is a direct consequence of the fermionic vortex.

In terms relating to P.R. Sarkar's microvita cosmology: within the Bhavasta (abstract, the boundless primordial ocean of vibration) the "Knower-I" and "Doer-I" emerge whereas equilibrium is maintained by means of the reduction and synthesis phases among the subjective and objective creative faculties (http://www.microvita.info). The subjective stances are more or less conventionally associated with the resp. original creative faculties, whereas the objective faculties are facilitated and controlled by both.

Sarkar also noted: "Every vibration in this universe has colour and sound. Every vibration also represents a particular idea, and hence each idea has a vibrational sound and vibrational colour". The "sound" and "color" can accurately be identified as the requirements for synchronization, that is, various types of auto-tuning of the interacting subfields, accounting for perpetual physical creation: http://science.trigunamedia.com/geoco... http://science.trigunamedia.com/geoso....

Also courtesy of MERU Foundation, pointing out that the very same universal or "ultimate" shape may have inspired or even formed the actual template of the Hebrew alphabet (http://www.meru.org), and Adi Da Samraj, who may have identified the very same phenomenon as the "Amrita Nadi" (http://www.adidam.org).

The animation is proposed as an archetype, rather than to be entirely accurate in terms of a definite shape. Probably the shape is naturally very vibrant and flexible allready. Yet it is formed through the precisely parametrized association of vector (rotational) and scalar (toroidal) paths, while applying the universal sounds and colors of creation.