Welcome back to the amp vault at Zen Amplification in sunny Sydney, Australia. R&D for our very own tube amp is in full swing (more on this below) - but in the meantime we thought we'd have a little fun and invite you into the vault.
Videos for 2024 will be simpler than our last efforts, we just can't find the time to go 'full Hollywood'. This time around we'll let the audio do all the talking.
This is an interesting amp. It started life as a high quality Marshall Plexi clone, and in the 00's went to Martin Golub at L.A Sound Design. He performed the 'Dookie' mod, aka the Bradshaw / Suhr crunch mod. We picked it up last year along with some great Marshalls we'll be featuring soon.
Bille Joe Armstrong of Green Day has used a modded amp like this for decades now with great success. Like or loathe their music, the guy always has great tone.
🗂 Chapters:
00:00 - Intro
00:14 - Australian Idiot
00:56 - Doubled F.O.D
01:43 - PRS Drop D
02:33 - 80's Rocker
03:01 - Tool Time
03:42 - Mid Gain LP
04:30 - Dirty Riffage
05:04 - Drop C Tele
05:41 - Les Paul punk
06:16 - Player Comments
🎴Our Mantra:
In short - tubes still rule.
In an endless sea of digital promises, we firmly believe that traditional tube circuitry still offers so much that simulators just can't. Punch, depth, immediacy, interactivity and attack are some words that come to mind. Not to mention the simplicity and the tactile advantages of real amps.
For us, the feeling of playing through a great tube amp is inspiring, distraction-free and simply brings joy. When this tonal trinity occurs, great music is made and good times are had - and that's what it's all about.
🇦🇺 We built a wall - to keep bad tone out:
The vault houses modern classics from companies such as Wizard, Friedman, Diezel, Bogner, Soldano, 65 Amps, Landry, Splawn, Mesa, Orange, Rivera, Divided by 13, Tone King and Peavey. And of course there's a number of vintage stalwarts around the studio from Marshall, Fender, Vox, Hiwatt and more.
To top it off the vault also houses a similarly impressive selection of vintage and modern guitars from Gibson, Fender, Gretsch, Suhr and PRS.
🎤 Analogue Recording Gear:
• 4x12 cabs close mic'd with a Shure SM57 / Sennheiser E906
• Combos and open cabs close mic'd with a Shure SM57 / SE VR1 ribbon mix
• Pair of Neumann U67 room mics 4.5m back, mixed in just a touch
• Neve 1073 preamps for close mics
• API 3124 preamp for rooms
• Little Labs Redeye3D DI (some clips reamped)
• KHE amp switchers to manage the wall, Mogami cabling, Neutrik connectors
🖥 Digital:
• Recorded via an Apogee Symphony A/D converter
• Waves reverb added to some clips
• Minimal post-processing - just a LPF and HPF to better reflect how it sounds in the room
🎛 The Zen Amplifier:
We can't reveal too much right now but there is a very special amplifier design underway in the Zen workshop. It is an all-tube design that incorporates some next-generation innovations, enabling it to compete with the versatility of digital - whilst retaining the responsiveness and punch of traditional tube amps of course.
More details to come later, but sufficed to say we're very excited about this project and can't wait to share it with you.
Thanks for checking out our channel, and don't forget to subscribe to keep up-to-date with all things Zen.
Special thanks to all our amazing guitar playing friends that helped out - Leon Todd, Joel McDonald, Ryan Thomas, James Norbert Ivanyi, Dave Bleus, Cale Storer, Dave Longo, Voya Milutinovic, Ned Koncar, Odin Wolf, Jesse Turner, Daniel Willington, Alex Wichello, Tim Maxwell, Seb Bartels, Jimmy Lardner-Brown & Cameron Henderson.
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