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The recording domain's switch from Analog to Digital has provided audio engineers with tons of new perks. One being the allotted head room we now have with our digitally captured sources. This means we no longer have to go about mixing audio to the limit in order to avoid the noise floor of analog technology.

One draw back to the digital recording domain is the audible distortion (snap, crackle, pop) created when our tacks exceed unity gain or, in simpler terms, clip.

By optimizing the gain staging of your tracks, you can create a far more dynamic mix that mastering engineers will love you for.

This tutorial will walk you through how to properly gain stage your tracks in order to provide the head room and dynamics required for a professional sounding drum mix.