Скачать или смотреть 📅Raag Lilavati Vocal - Mashkoor Ali Khan Sahib Teaches: Aroh, Avaroh, Pakad, Bandish, and Sargam

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Thaat: Todi
Aarohi: S r g P d S'
Amrohi: S' d P g R S
Vadi: d
Samvadi: g
Pakard: S R g P d P g R g R---'d R S
Time: 6 am - 9 am
Zaat: Audav - Audav

Raag Lilavati is a Hindustani classical raga belonging to the Todi thaat. It is a morning raga, and is typically performed in the early hours of the day. The raga is said to be named after Lilavati, the daughter of the mathematician Bhaskaracharya.

The raga is characterized by its delicate and playful nature. It is said to evoke feelings of love, joy, and happiness. The raga is also said to be auspicious and is often performed on special occasions such as weddings and festivals.

The scale of Raga Lilavati is:
Sa (natural)
Re (komal)
Ga (komal)
Ma (natural)
Pa (sharp)
Dha (natural)
Ni (komal)

The raga is typically played in the upper octave, with the lower octave being used for ornamentation. The raga is also characterized by its use of gamakas, or microtonal ornaments.

Some of the famous compositions in Raga Lilavati are:
"Lilavati Todi" by Amir Khusro
"Lilavati Vilambit" by Vilayat Khan
"Lilavati Jhala" by Ali Akbar Khan

Raga Lilavati is a beautiful and versatile raga that can be enjoyed by both musicians and listeners alike. It is a raga that is full of joy and love, and it is sure to bring a smile to your face.

Here are some additional details about Raga Lilavati:
The raga is said to be associated with the planet Venus.
The raga is said to be beneficial for mental health and well-being.
The raga is often used to express feelings of love, joy, and happiness.
The raga is a popular choice for weddings and other auspicious occasions.

If you are interested in learning more about Raga Lilavati, there are many resources available online and in libraries. You can also find many recordings of the raga performed by different artists. With a little exploration, you are sure to find a way to enjoy this beautiful and versatile raga.

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Intro: (0:00)
Pakard: (0:19)
Bandish: (0:38)
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