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Скачать или смотреть The Contemplative Landscapes of German Romantic Painter Caspar David Friedrich

  • Faces of Ancient Europe
  • 2017-12-09
  • 3203
The Contemplative Landscapes of German Romantic Painter Caspar David Friedrich
Caspar David FriedrichCaspar David Friedrich paintingsCaspar FriedrichThe Contemplative Landscapes of German Romantic Painter Caspar David FriedrichContemplative LandscapesRomantic PaintingsGerman Romantic PainterRomantic landscape artallegorical landscapeslandscape painterGerman artGerman paintingsGerman Landscapescontemplation of naturespiritual experiences of lifeEurope landscape artEuropean romanticGerman romantic painters
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Описание к видео The Contemplative Landscapes of German Romantic Painter Caspar David Friedrich

You have all likely seen at least one or two of the paintings from this very influential German painter.

Caspar David Friedrich (September 5, 1774 – May 7, 1840) was a landscape painter of the nineteenth-century German Romantic movement, of which he is now considered the most important painter. A painter and draughtsman, Friedrich is best known for his later allegorical landscapes, which feature contemplative figures silhouetted against night skies, morning mists, barren trees, and Gothic ruins. His primary interest as an artist was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey the spiritual experiences of life.

Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".

Friedrich was born in the Pomeranian town of Greifswald at the Baltic Sea, where he began his studies in art as a young man. He studied in Copenhagen until 1798, before settling in Dresden. He came of age during a period when, across Europe, a growing disillusionment with materialistic society was giving rise to a new appreciation of spirituality. This shift in ideals was often expressed through a reevaluation of the natural world, as artists such as Friedrich, J. M. W. Turner (1775–1851) and John Constable (1776–1837) sought to depict nature as a "divine creation, to be set against the artifice of human civilization".

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