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A good way practice scales is to use them to improvise over various chord changes; in this case over a II V I progression in Cmajor, ( Dm7, G7 and C major 7th ) Try to make your lines sound musical and have melodic continuity, making sure also that you state the sound of each chord as you solo over the changes. It's important that you try and sing, in your mind, what your fingers are actually playing, by doing this your lines will always sound more melodic and you are in control, not your fingers, and your solos won't sound like scales or exercises. Achieving melodic continuity is the real key.