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Скачать или смотреть Andean Quena & Siku Panpipe with Edge-Blown VST VST3 Audio Unit EXS24 KONTAKT. DAL Flute & Woodwinds

  • Syntheway Virtual Musical Instruments
  • 2018-12-21
  • 327
Andean Quena & Siku Panpipe with Edge-Blown VST VST3 Audio Unit EXS24 KONTAKT. DAL Flute & Woodwinds
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Скачать Andean Quena & Siku Panpipe with Edge-Blown VST VST3 Audio Unit EXS24 KONTAKT. DAL Flute & Woodwinds бесплатно в качестве 4к (2к / 1080p)

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Описание к видео Andean Quena & Siku Panpipe with Edge-Blown VST VST3 Audio Unit EXS24 KONTAKT. DAL Flute & Woodwinds

https://syntheway.com - Andean Quena and Siku Panpipe with Edge-Blown VST VST3 Audio Unit from http://dalflute.syntheway.net - DAL Flute & Woodwinds is an orchestral and ethnic woodwind virtual instrument collection, consisting of flute, oboe, clarinet, bassoon, piccolo, cor anglais (English horn), recorder, paixiao, dizi bangdi, shakuhachi, shinobue, quena, siku, nai, ney, ocarina as well as a small orchestra ensemble and woodwind section. Available in VST 32 bit and 64 bit and VST3 64 bit versions for Windows / Audio Unit, VST and VST3 for macOS.. Also developed as EXS24 and KONTAKT Sample Libraries.

Features

• Quick selector to switch between different preset sounds:

Setlist from FULL video available here:    • Woodwinds VST VST3 Audio Unit: Flute Oboe ...  

01 Flute Legato 0:00
02 Flute Non Vibrato 0:37
03 Flute Sustain Vibrato 0:56
04 Flute Staccato 1:27
05 Flute Staccatissimo 1:44
06 Flute Pizzicato (Slap Tongue) 2:06
07 Flute Trills 2:20
08 Oboe 2:32
09 Piccolo 3:03
10 Bassoon 3:33
11 Clarinet 4:14
12 Cor Anglais (English Horn) 4:47
13 Recorder (English Flute) 5:21
14 Shakuhachi (Japanese Flute) 5:49
15 Shinobue (Japanese Flute) 6:40
16 Paixiao (Chinese Panpipe) 7:15
17 Dizi Bangdi (Chinese Flute) 7:49
18 Andean Quena (South America) 8:19
19 Andean Siku (South America) 8:56
20 Siku Panpipe (Edge-Blown) 9:37
21 Bamboo Panpipe (Edge-Blown) 10:30
22 Nai (Romanian Pan Flute) 11:06
23 Ney (Ancient Persian Flute) 11:53
24 Ocarina (Sweet Potato) 12:42
25 Ocarina Vibrato 13:04
26 Orchestral Woodwinds 13:30
27 Woodwind Section 13:59

• Low-Frequency Oscillator Controls

• ADSR envelope generator

• Pitch Bend

• Reverb built-in

• Filter Section

• Amplitude Range

• Volume: Adjusts the volume of the instrument.

• Panning potentiometer control

• MIDI CC Automation: Implementation of MIDI Continuous Controller parameters for use with external hardware control via DAW, such as: LFO depth (CC#1), breath controller (CC#2), expression (CC#11), volume (CC#7), pan (CC#10), balance (CC#8), filter cutoff (CC#74), ADSR (Attack: CC#73, Decay: CC#75, Sustain: CC#76, Release: CC#72) and reverb depth (CC#91).
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Syntheway Virtual Musical Instruments

http://syntheway.net
http://syntheway.com
_______________________________________

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The quena (hispanicized spelling of Quechua qina,[1] sometimes also written kena in English) is the traditional flute of the Andes. Traditionally made of cane or wood, it has 6 finger holes and one thumb hole, and is open on both ends or the bottom is half-closed (choked). To produce sound, the player closes the top end of the pipe with the flesh between the chin and lower lip, and blows a stream of air downward, along the axis of the pipe, over an elliptical notch cut into the end. It is normally in the key of G, with G4 being the lowest note (all holes covered). It produces a very "textured" and "dark" timbre because of the length-to-bore ratio of about 16 to 20 (subsequently causing difficulty in the upper register), which is very unlike the tone of the Western concert flute with bore ratio about 38.

The siku (Quechua: antara, Aymara: siku, also "sicu," "sicus," "zampolla" or Spanish zampoña) is a traditional Andean panpipe. This instrument is the main instrument used in a musical genre known as sikuri. It is traditionally found all across the Andes but is more typically associated with music from the Kollasuyo, or Aymara speaking regions around Lake Titicaca. Historically because of the complicated mountain geography of the region, and due to other factors, in some regions each community would develop its own type of siku, with its own special tuning, shape and size. Additionally each community developed its own style of playing. Today the siku has been standardized to fit in with modern western forms of music and has been transported from its traditional roots.

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