6 different room mic setups on Drums: Raw, Compressed, Stereo and Mono - extended

These 6 examples are from shortest to longest distance that the sound travels from the drums to the capsule:
Boundary 2m
Drums 2m
Corner 5.5m
Wall 9m
Droom 11m
Outside 16m but this is more a reverb chamber than a room mic, but a really cool one!

Every recording room is different, so find the placement in your room that works for the song!
The Droom setup is from Moses Schneider and is quite ingenious, no phase issues (slap delay) and the traveling distance of the sound is double the room length. Since I only have one Sennheiser MD441, I used a Revox M3500 because it is also a dynamic super-cardioide. They both should sound more or less the same, so I EQ-mached the M3500 to the MD441.
Droom is awesome, I really love it!

To avoid phase issues I delayed the close mics to the distance of the mics, except the Droom mics, they don’t need it.

0:00 Stereo Boundary Raw
0:22 Stereo Cardioid Drums Raw
0:41 Stereo Cardioid Corner Raw
1:00 Stereo Cardioid Wall Raw
1:20 Stereo Droom Raw
1:40 Stereo Outside Raw
2:03 Stereo Boundary Comp
2:24 Stereo Cardioid Drums Comp
2:44 Stereo Cardioid Corner Comp
3:03 Stereo Cardioid Wall Comp
3:23 Stereo Droom Comp
3:42 Stereo Outside Comp
4:05 Mono Boundary Raw
4:26 Mono Cardioid Drums Raw
4:46 Mono Cardioid Corner Raw
5:05 Mono Cardioid Wall Raw
5:24 Mono Droom Raw
5:44 Mono Outside Raw
6:08 Mono Boundary Comp
6:29 Mono Cardioid Drums Comp
6:49 Mono Cardioid Corner Comp
7:08 Mono Cardioid Wall Comp
7:27 Mono Droom Raw
7:47 Mono Outside Comp
8:21 only Stereo Room mics compressed
9:21 only Mono Room mics compressed
10:26 why I time aligned