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ะกะบะฐั‡ะฐั‚ัŒ ะธะปะธ ัะผะพั‚ั€ะตั‚ัŒ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐—ผ๐—ณ ๐—ช๐—ฎ๐—น๐—ผ๐—ป๐—ด | ๐—•๐—ฟ๐—ถ๐—ด. ๐—ž.๐—ฆ. ๐—•๐—ฟ๐—ฎ๐—ฟ ๐—ผ๐—ป ๐—ก๐—˜๐—™๐—”โ€™๐˜€ ๐—Ÿ๐—ผ๐—ป๐—ด๐—ฒ๐˜€๐˜ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐˜„๐—ถ๐˜๐—ต ๐—–๐—ต๐—ถ๐—ป๐—ฎ | ๐—จ๐—ป๐˜€๐˜‚๐—ป๐—ด ๐—œ๐—ป๐—ฑ๐—ถ๐—ฎ ๐—™๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜๐—ถ๐—ผ๐—ป

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๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐—ผ๐—ณ ๐—ช๐—ฎ๐—น๐—ผ๐—ป๐—ด | ๐—•๐—ฟ๐—ถ๐—ด. ๐—ž.๐—ฆ. ๐—•๐—ฟ๐—ฎ๐—ฟ ๐—ผ๐—ป ๐—ก๐—˜๐—™๐—”โ€™๐˜€ ๐—Ÿ๐—ผ๐—ป๐—ด๐—ฒ๐˜€๐˜ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐˜„๐—ถ๐˜๐—ต ๐—–๐—ต๐—ถ๐—ป๐—ฎ | ๐—จ๐—ป๐˜€๐˜‚๐—ป๐—ด ๐—œ๐—ป๐—ฑ๐—ถ๐—ฎ ๐—™๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜๐—ถ๐—ผ๐—ป
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ะกะบะฐั‡ะฐั‚ัŒ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐—ผ๐—ณ ๐—ช๐—ฎ๐—น๐—ผ๐—ป๐—ด | ๐—•๐—ฟ๐—ถ๐—ด. ๐—ž.๐—ฆ. ๐—•๐—ฟ๐—ฎ๐—ฟ ๐—ผ๐—ป ๐—ก๐—˜๐—™๐—”โ€™๐˜€ ๐—Ÿ๐—ผ๐—ป๐—ด๐—ฒ๐˜€๐˜ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐˜„๐—ถ๐˜๐—ต ๐—–๐—ต๐—ถ๐—ป๐—ฎ | ๐—จ๐—ป๐˜€๐˜‚๐—ป๐—ด ๐—œ๐—ป๐—ฑ๐—ถ๐—ฎ ๐—™๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ะฑะตัะฟะปะฐั‚ะฝะพ ะฒ ะบะฐั‡ะตัั‚ะฒะต 4ะบ (2ะบ / 1080p)

ะฃ ะฝะฐั ะฒั‹ ะผะพะถะตั‚ะต ัะบะฐั‡ะฐั‚ัŒ ะฑะตัะฟะปะฐั‚ะฝะพ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐—ผ๐—ณ ๐—ช๐—ฎ๐—น๐—ผ๐—ป๐—ด | ๐—•๐—ฟ๐—ถ๐—ด. ๐—ž.๐—ฆ. ๐—•๐—ฟ๐—ฎ๐—ฟ ๐—ผ๐—ป ๐—ก๐—˜๐—™๐—”โ€™๐˜€ ๐—Ÿ๐—ผ๐—ป๐—ด๐—ฒ๐˜€๐˜ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐˜„๐—ถ๐˜๐—ต ๐—–๐—ต๐—ถ๐—ป๐—ฎ | ๐—จ๐—ป๐˜€๐˜‚๐—ป๐—ด ๐—œ๐—ป๐—ฑ๐—ถ๐—ฎ ๐—™๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ะธะปะธ ะฟะพัะผะพั‚ั€ะตั‚ัŒ ะฒะธะดะตะพ ั ัŽั‚ัƒะฑะฐ ะฒ ะผะฐะบัะธะผะฐะปัŒะฝะพะผ ะดะพัั‚ัƒะฟะฝะพะผ ะบะฐั‡ะตัั‚ะฒะต.

ะ”ะปั ัะบะฐั‡ะธะฒะฐะฝะธั ะฒั‹ะฑะตั€ะธั‚ะต ะฒะฐั€ะธะฐะฝั‚ ะธะท ั„ะพั€ะผั‹ ะฝะธะถะต:

  • ะ˜ะฝั„ะพั€ะผะฐั†ะธั ะฟะพ ะทะฐะณั€ัƒะทะบะต:

Cะบะฐั‡ะฐั‚ัŒ ะผัƒะทั‹ะบัƒ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐—ผ๐—ณ ๐—ช๐—ฎ๐—น๐—ผ๐—ป๐—ด | ๐—•๐—ฟ๐—ถ๐—ด. ๐—ž.๐—ฆ. ๐—•๐—ฟ๐—ฎ๐—ฟ ๐—ผ๐—ป ๐—ก๐—˜๐—™๐—”โ€™๐˜€ ๐—Ÿ๐—ผ๐—ป๐—ด๐—ฒ๐˜€๐˜ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐˜„๐—ถ๐˜๐—ต ๐—–๐—ต๐—ถ๐—ป๐—ฎ | ๐—จ๐—ป๐˜€๐˜‚๐—ป๐—ด ๐—œ๐—ป๐—ฑ๐—ถ๐—ฎ ๐—™๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜๐—ถ๐—ผ๐—ป ะฑะตัะฟะปะฐั‚ะฝะพ ะฒ ั„ะพั€ะผะฐั‚ะต MP3:

ะ•ัะปะธ ะธะบะพะฝะบะธ ะทะฐะณั€ัƒะทะบะธ ะฝะต ะพั‚ะพะฑั€ะฐะทะธะปะธััŒ, ะŸะžะ–ะะ›ะฃะ™ะกะขะ, ะะะ–ะœะ˜ะขะ• ะ—ะ”ะ•ะกะฌ ะธะปะธ ะพะฑะฝะพะฒะธั‚ะต ัั‚ั€ะฐะฝะธั†ัƒ
ะ•ัะปะธ ัƒ ะฒะฐั ะฒะพะทะฝะธะบะปะธ ั‚ั€ัƒะดะฝะพัั‚ะธ ั ะทะฐะณั€ัƒะทะบะพะน, ะฟะพะถะฐะปัƒะนัั‚ะฐ, ัะฒัะถะธั‚ะตััŒ ั ะฝะฐะผะธ ะฟะพ ะบะพะฝั‚ะฐะบั‚ะฐะผ, ัƒะบะฐะทะฐะฝะฝั‹ะผ ะฒ ะฝะธะถะฝะตะน ั‡ะฐัั‚ะธ ัั‚ั€ะฐะฝะธั†ั‹.
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ะžะฟะธัะฐะฝะธะต ะบ ะฒะธะดะตะพ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐—ผ๐—ณ ๐—ช๐—ฎ๐—น๐—ผ๐—ป๐—ด | ๐—•๐—ฟ๐—ถ๐—ด. ๐—ž.๐—ฆ. ๐—•๐—ฟ๐—ฎ๐—ฟ ๐—ผ๐—ป ๐—ก๐—˜๐—™๐—”โ€™๐˜€ ๐—Ÿ๐—ผ๐—ป๐—ด๐—ฒ๐˜€๐˜ ๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐˜„๐—ถ๐˜๐—ต ๐—–๐—ต๐—ถ๐—ป๐—ฎ | ๐—จ๐—ป๐˜€๐˜‚๐—ป๐—ด ๐—œ๐—ป๐—ฑ๐—ถ๐—ฎ ๐—™๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜๐—ถ๐—ผ๐—ป

๐—•๐—ฎ๐˜๐˜๐—น๐—ฒ ๐—ผ๐—ณ ๐—ช๐—ฎ๐—น๐—ผ๐—ป๐—ด โ€“ ๐—” ๐—ง๐—ฎ๐—น๐—ธ-๐——๐—ผ๐—ฐ ๐—ฏ๐˜† ๐—จ๐—ป๐˜€๐˜‚๐—ป๐—ด ๐—œ๐—ป๐—ฑ๐—ถ๐—ฎ ๐—™๐—ผ๐˜‚๐—ป๐—ฑ๐—ฎ๐˜๐—ถ๐—ผ๐—ป

Far in the easternmost corner of India, in the Lohit Valley of Arunachal Pradesh, lies the remote settlement of Walongโ€”a place where the icy waters of the Lohit River wind through the Mishmi Hills, brushing the tri-junction of India, China, and Myanmar. In the autumn of 1962, this isolated high-altitude (Almost 15,000 Feet above sea level) outpost became the unlikely setting for one of the most extraordinary battles in Indian military history. Between 22 October and 16 November 1962, Walong witnessed an epic confrontation between 2,500/- Indian defenders and the might of the 15,000 Chinese Peopleโ€™s Liberation Army.

The Indian side was manned by battle-hardened yet under-equipped troops from the Kumaon Regiment, Sikh Regiment, Gorkha Rifles, Assam Rifles, and Dogra Regiment. Fighting in extreme cold, they had little more than grit, discipline, and courage to match the enemyโ€™s overwhelming numbers. Their defensive positionsโ€”Ashi Hill, Green Pimple, and the Tri Junction Ridgeโ€”were not just geographical features, but steep, treacherous battlegrounds where each inch of ground was paid for in blood.

Opposing them was 15,000 meticulously prepared Chinese forces. Their strategy was precise: secure the tri-junction to gain tactical dominance over the Lohit Valley and open a pathway into the Indian plains. They moved along the ridgelines cloaked by dense forests, used the sharp Himalayan slopes for concealment on commanding heights. By cutting supply lines, isolating forward posts, and launching diversionary assaults, they aimed to dismantle the Indian defence sector by sector. Night-time infiltrations allowed them to bypass strongpoints, while coordinated multi-directional attacks kept the defenders under constant pressure.

But the Chinese advance met an unexpected wallโ€”the sheer will and gut of Indian soldiers. The men at Walong refused to surrender ground easily. Every ridge became a fortress, every spur a trap, every river crossing a barrier. Fighting with outdated rifles, limited ammunition, and minimal winter gear, they forced the enemy into a prolonged and bloody struggle.

This talk-doc by Unsung India Foundation revisits the battlegrounds of Walong, blending archival material, eyewitness accounts, and expert analysis. We explore not just the military strategies, but the human spirit that defined those daysโ€”how a few thousand Indian soldiers, in one of the most isolated corners of the country, stood firm against the tide. Walong is not just a story of warโ€”it is a story of courage, sacrifice, and the indomitable will to defend the nation, no matter the odds.

In next episode we will witness how 2,500 Indian soldiers stood their ground and laid down their lives against 15,000 Chinese troopsโ€”yet refused to let China seize the area

#maverikpictures #BattleOfWalong #IndianArmy #1962War #SinoIndianWar #ArunachalPradesh #WarHistory #IndianSoldiers #ArmyBravery #MilitaryDocumentary #WarHeroes #KumaonRegiment #SikhRegiment #GorkhaRifles #AssamRifles #DograRegiment #IndianMilitaryHistory #UnsungHeroes #ArmyCourage #DefendTheNation #HistoryUnfolded #IndiaChinaWar #RealWarStories #BraveryBeyondLimits #HistoryOfIndia #BattlefieldLegends #EasternFrontier #IndianDefence #RealLifeHeroes #unsungindiafoundation #rahulyadav

Unsung India Foundation is a platform that aims to bring recognition to the unsung heroes of India who have achieved remarkable successes and represented the country on a global scale. While we often seek inspiration from social media, it is important to remember that real-life heroes can be found all around us. These heroes may not have flashy costumes or extravagant stories, but they have made significant contributions to society, often going unnoticed.

Our foundation's mission is to share these remarkable anthropological stories that have the power to ignite passion and inspire meaningful change

Credit list:-
Interviewer - Rahul Yadav
Interviewee - Brigadier Kuldeep Singh Brar, VSM
Camera - Gaurav Verma
Editor - Saurabh Sisodia
Line Production - Maverik Pictures
Social Media - Abhishek Vota
Thumbnail - Lalit Mohan

Website - http://unsungindiafoundation.org/
Mail - [email protected]

Social Link:-
Unsung India Foundation Instagram Page:- https://bit.ly/3CIRvmN
Unsung India Foundation Facebook Page:- https://bit.ly/3fMzPxz
Unsung India Foundation Twitter Page:- https://bit.ly/3EjPJJY
Unsung India Foundation Linkedin Page:- https://bit.ly/3yhMkY1

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