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Raag Nand By Ustad Amir Khan #indianraag #song #love #classicalmusic #raag #musica #lovesong #singer #meghraag #music
Raag Nand By Ustad Amir Khan

#nandi #musica #musica #song #lovesong #love #musica #singer #classicalmusic #raag
Nand expresses a similar personality to most of the Kalyan ragas – an elegant, eloquent raga, kind of like a handsome person with a sweet voice. It's appeal is ethereal, and very fragile. Tinker with the notes too much and you'll land up destroying the mood and the raga will run away !!
Raag Nand
Swar Rishabh Varjya in Aaroh, Both Madhyams. Rest all Shuddha Swaras.
Jati Shadhav - Sampurna Vakra
Thaat Kalyan
Vadi - Samvadi Shadj - Pancham
Time 2nd Prahar of the Night (9PM to 12AM)
Vishranti Sthan S; G; m; P; - P; m; G; S;
Mukhya Ang S G m D P R S ; G m P D N ; (D)P ; P D (P) m m P ; G m D P R S ;
Aaroh - Avroh S G m D P R S ; G m P N S'; - S D N P ; D M P G ; G m D P R S ;
Raag Nand is also known as Raag Anandi, Anandi Kalyan or Nand Kalyan. This melody impresses instantly and without any difficulty creates its own unique mood.

This Raag resembles Raag Bihag, Raag Gaud Sarang, Raag Hameer and Raag Kamod. To avoid this resemblance, one should use these Raag Vachak notes: S G m D P R S.

After singing S G m P N S’ ; S’ N D P (resembing Raag Bihag), one should add these notes: G m P D N P ; D M P ; G m D P R S to clarify Raag Nand. In Avroh S’ D N P ; D m P G, these notes makes Raag Gaud-Sarang appear, so one should add following notes to make Raag Nand clear: G m D P R S G m.

Similarly to avoid the glimpse of Raag Hameer (G m D P) and Raag Kamod (M P D M P G ; G M P G M) one should add R S G m D P R S to make Raag Nand clear. The nature of this Raag is soothing and full of Karun Ras. This Raag can be expanded in Madhya and Tar Saptaks. The illustrative combinations of this melody are as follows:

S ; S G m D P R S ; G m P D N ; (D)P ; P D (P) m m P ; G m D P R S ; G m P N S ; P N R’ N D P ; P D M P ; G m (D)P R S ; G m P D N P ; P D P M D P G m D P R S;