Скачать или смотреть Faiyaz Khan | #3/12: Nat Bihag, Kedar, Jaijaiwanti, Pilu Ghazal, Thumri: tirchii nazar, Kamod, Jobna

This is #3/ 12

00:00 Nat Bihag | Aalaap
12:40 Kedar | maan taj de
17:46 Kedar | chatur sughar baiyyaan
27:33 Jaijaiwanti | are ham jaanii tihaare man kii baat
33:24 Jaijaiwanti | naadaan akhiyyaaN laagii
40:14 Pilu | Ghazal | pii ke ham tum jo chale
53:14 Thumri piyaa torii tirchhii nazar laagii re
1:03:06 Kamod laagii re more lagan
1:19:30 more jobnaa pe aayii bahaar

00:00 Nat Bihag | Aalaap

12:40
मान तज दे री आली *
आयो फागुन मास
मान मनावत तू नही मानत
आयो है बारो मॉस

***

At another place, the word change a bit to the following, which is closeer to what he sings, I think (need to double check):
मान तज दे री नार
आयो फागुन मास ।
बरज रही बरजो नहीं मानत
ठाडो मेरे द्वारे ॥

17:46
चतुर सुघर बैंया तुम
पकरत हो बलमा
वे तो नवेली नार
का जाने हित की सार गंवार ।

तुम तो महाज्ञानी अति प्रवीण
सब विध जानत हो पहचानत हो
वे तो अपने घर की लाड़ी लड़ात
लाड़ली को लीजो मनाय
कर प्यार सरस गरवा लाये लाये

There's a bit of a variation in a second documentation:

चतर सुघर बलमा पकरत हो बैंया
वे तो नवली नार का जाने हित की सार गंवार ।

तुम तो महाग्यान अत प्रवीण
सब बिध जानत हो पहचानत हो
वे तो अपने घर की लाडलडात
लाडली को लिजो मना
कर प्यार सरस गरवा लाये लाये ॥


Lyrics from Magriel and Perron.

तुम सुघर चतुर बैंया पकरत हो बलमा
वे तो नवेली नार का जाने हित की सार गंवार ।

तुम तो महाग्यान अत प्रवीन
सब विध जानत हो पहचानत हो
वे तो अपने घर की लाडी लाडात
लाडिली को लीजो मनाय कर प्यार
सरस गरवा लगाय लगाय ॥

27:33
ए पिया हम जानी रे तेहारी बात

मुख की रीत हम सो
दिल की औरन सो बतिया
हमरे लागी जियरा चोट

[See Kesarbai Kerkar: 78 RPM:    • Kesarbai Kerkar | Jaijaiwanti | ए पिया हम ...  ]

33:24
नादान अखियां लागी
ऐसो निरमोही सो ।

जबसे अखियां लागी मोहन सो
सगरी रैन मैं जागी
सुख की नींद मै त्यागी ॥
– Faiyaz Khan 'Prem Piya'
[See Sharafat Hussain Khan:    • Sharafat Hussain Khan | Jaijaiwanti नादान ...  ]

40:14
पी के हम तुम जो चले झूमते मैखाने से
झुक के कुछ बात कही शीशे ने पैमाने से

अरे आप आ जाएँ तो जाती रहे बेताबी-ए-दिल
अरे दिल-ए-बेताब बहलता नहीं बहलाने से

हमने देखी है किसी शोख की मस्ती भरी आँख
मिलती जुलती है छलकते हुए पैमाने से

फायदा क्या हुआ तुझे जल जाने से
शमा ने ये भी ना पूछा कभी परवाने से

Please see Playlist:    • Zila/Pilu: pii ke ham tum jo chale पी के ह...  

53:14 Thumri
पिया तोरी तिरछी नज़र लागी रे
piyaa torii tirchhii nazar laagii re

01:03:06 Kamod
मोरी नई लगन लागी रे,
तुमसे मोंमदसा पियारे
सुमिरन करत रहत,
निसदिन घडिपल छिन ।

हूं तो तेहारे बाट तकत हूं
सोने ना देत याद तोरी
निसदिन मोरी नई लगन लागी रे ॥
– Niyamat Khan 'Sadarang'

01:19:30
मोरे जुबना पे
आयी बहार
ओ बलम
परदेसा न जइयो

Raman Lal Mehta gives the lyrics as:

स्थायी:-मेरे खुबना पे आई बदार बलम परदेश न जैहो |
अंतरा१-तुम बिन मेरो जिया तरपत दै, अत्र हमें छोड़ कहां जैद्दो॥

***

To mark the birth anniversary (February 8, 1886 – November 5, 1950) of Faiyaz Khan, I’ll be sharing, over the next few days, a set of his recordings – 12 compilations, each around 90 minutes long – that have been sitting in my queue as unlisted videos on this channel. This is #3/12

Many of these recordings have surfaced through the National Cultural Audiovisual Archives (NCAA). I have often complained, sometimes bitterly, about how much music remains locked away in the archives of institutions like the Sangeet Natya Akademi and various private trusts, so simple access itself is no small thing – even if one wishes the material had been more systematically indexed and documented.

This means the current series of uploads of Malika Pukhraj’s 78 RPMs will pause briefly – at least for today. The hazard of anniversary-driven posting is that it inevitably interrupts other ongoing projects, often at the cost of whatever passes for my normal life. The intention is always to return to them, though experience suggests that such series sometimes end up quietly abandoned halfway through (Gaud Malhar, Dipali Nag and Alhaiya Bilawal being recent examples).

\These are far from perfect recordings, made towards the end of Faiyaz Khan’s life, but their archival value is immense, and I’m sharing them on an as-is basis. In many cases, cleaner commercial recordings may already be on this channel. I also have cleaner AIR recordings, including some that were commercially issued, and I’ll return to those once this batch is done and dusted.

A final note of thanks to @jyotipande8146 and @vgandhica, who helped with a few of the inevitable raag-identification puzzles, and tolerated an unreasonable number of queries from me with remarkable patience – occasionally, I suspect, on the verge of losing it. We completed this set of 12 back in February last year, but it has taken until now for them to finally see the light of day.
faiyazkhan painting

***

This is a Samvaad Foundation, Mumbai recording digitised for the National Cultural Audiovisual Archives (NCAA) and labelled:

Hindustani Vocal Recital by Ustad Faiyaz Khan (Vol. I)
Khayal, Tabla, Agra Gharana, Aftab-e-Mausiqi, Nom-tom Alap
Description: This audio presents Vocal recital by Ustad Faiyaz Khan. The performance includes Khayal recital in Raga Kedar.