Unlocking Eddie Van Halen’s Guitar Tone with his Engineer Ross Hogarth

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ABOUT THIS VIDEO

In this episode, super engineer Ross Hogarth reveals all the details about how he recorded Eddie Van Halen's Guitar Tone using 2 different microphones, how he created a 2 channel version of Eddie's mono sound, why Wolfgang joined the band, how Eddie created distortion, Eddie's favorite EFX pedals and what it takes to get the best drum sounds…and the love between two brothers that glued Van Halen together!

00:00 Intro
00:39 Eddie's Guitar Solos
02:18 Eddie played One Guitar Part
03:50 How Don Landee turned a Mono Guitar into Stereo
05:37 How Ross Hogarth transformed Eddie's Sound with double mic techniques
09:07 Custom Designed Ribbon microphones that can withstand high sound pressure levels
12:35 How Ross Split and Spread out Eddie's sound even more
15:05 Summarizing Eddie's Sound
16:02 Eddie and Alex performed intuitively
17:17 When Wolfgang Van Halen joined the band
19:36 How Eddie created distortion & EFX tones
21:55 No 2nd guitar part
22:32 How to get the best Drum Tones
26:35 The Van Halen Connection: Love

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ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

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