Always Be Around: Corita Kent, Community, and Pedagogy (Lee Walton Jimena Bermejo Choreography)

Always Be Around: Corita Kent, Community, and Pedagogy
October 2nd through December 15th 2023

The Iris and B. Gerald Cantor Art Gallery at the College of the Holy Cross is pleased to present the exhibition “Always Be Around: Corita Kent, Community, and Pedagogy.” Featuring the work of Corita Kent (1918-1986), a pop artist, educator, social justice advocate and former religious sister, the exhibition will run from Oct. 2 through Dec. 15 in the Gallery’s new home within the Prior Performing Arts Center.

The exhibition is guest-curated by Rachelle Beaudoin, Professor of Practice in the Department of Visual Arts at Holy Cross. An opening lecture and reception are scheduled for Oct. 5 at 4 p.m.

Corita Kent’s art will appear alongside the works of contemporary artists showing her continued influence upon younger generations. Breanne Trammell, Mary Banas, Lukaza Branfman-Verissimo, Roz Crews, Jen Delos Reyes, Christine Sun Kim, Jorge Lucero, Mary Lum, Maria del Carmen Montoya, Aaron Rose and Lee Walton will all be featured.

A Massachusetts resident also known as Sister Mary Corita, Corita Kent created serigraph prints by combining imagery from advertising and newspapers with text ranging from Bible verses to slogans, song lyrics and literature.

By pairing Corita’s work with a contemporary response, the exhibition will explore how her communal and collaborative processes paved the way for other artists, each of whom integrates teaching and collective activism into their practice. This exhibition paints a full picture of Corita as a pioneer and precursor to the work of other artists. The artists in the exhibition will engage with the community in the creation of art through events, classes, workshops and performances.

Corita’s art builds upon her reputation as an outstanding and innovative educator. The exhibition connects her teaching practice to the work of contemporary socially engaged art and artist educators. Corita asked her students to look carefully and to draw and redraw. Her students looked at the world differently to frame what is normally overlooked. She wanted them to use anything and everything as a source for art making. She taught and lived the idea that "to create means to relate."

"As an artist and an educator, I kept coming back to Corita’s Kent’s work, especially in challenging times," Beaudoin said. "I knew that other artists had a similar respect and admiration for her work and I saw her influence in the work of other artists. It is exciting to bring together this group of artists and to view their work through the lens of Corita Kent’s varied practice."

This exhibition has been awarded support from the Greater Worcester Community Foundation. Nathan Howard, ‘25, a Weiss Summer Research Fellow, also contributed to the exhibition. Special thanks to Olivian Cha and Nellie Scott of Corita Art Center for their support of this exhibition. For more information on Corita Kent, visit Corita Art Center, Los Angeles, corita.org.

Breanne Trammell and Mary Banas
The two collaborate as BMTMB. Across various forms such as bumper stickers, broadsheets, postcards, buttons, and banners, their work responds to the existential crisis of contemporary American life.

Lukaza Branfman-Verissimo
With large-scale murals and roots in storytelling, Branfman-Verissimo’s work is informed by their commitment to craft and community, engagement with society, and interest in preserving and broadcasting B.I.Q.T.P.O.C. stories.

Roz Crews
An artist who uses curatorial strategies to produce public programs, events and performances, Crews will recreate the 1964 Mary’s Day event, where Corita transitioned a traditional and solemn holy day into a celebration of everyday life, religious observance and feminism. Roz Crews plans to recreate this event with a focus on LGBTQIA+ rights, awareness and calls for equity.

Jen Delos Reyes
Delos Reyes an artist, educator, writer and radical community arts organizer, presents the "Ghosts of Arts Schools Past." Displaying aspects of her classroom project, the piece invites students to research and then embody the pedagogies of influential historical art schools.

Christine Sun Kim
American artist based in Berlin, Kim's practice considers how sound operates in society, deconstructing the politics of sound and exploring how oral languages operate as social currency. In her contribution to the exhibition, drawing from popular culture, Kim uses a Simpsons reference to humorously critique and advocate for changes in American society.