Ijjathi | Malayalam Short Film | Satire | Mahadevan | Santhosh Venjaramood | Sachin Reeko

Описание к видео Ijjathi | Malayalam Short Film | Satire | Mahadevan | Santhosh Venjaramood | Sachin Reeko

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Story Screenplay Direction : Mahadevan https://www.instagram.com/_mahadevan_...

Producer : Vasuki Vaidehi Productions

DOP : Sachin Reeko https://www.instagram.com/sachin_reek...

Editor : Sidharth Satheesh https://www.instagram.com/sidharthsat...

Music Director : Aswin Varma https://www.instagram.com/aswinkailas...

Associate Directors : Abhishek Joseph Ashish https://www.instagram.com/abhishek_jo...
Hari Raj https://www.instagram.com/h___rj__?ig...

Sound Design : Karthik

Creative Director : Ardhra Thampi

Production Controller : Sandra JS

Assistant Directors : Faisal,Sachu, Vaishakh, Anuja

Assistant Cameraman : Sujith

Mix and Mastering : Shinu M S

Dub Recording and Mix: Alphy Jose

DI : Sajith Rajendran

Vfx : Midhun M, Amal B Mathew

Title : Sreerag RG

Lights and Unit : Adarsh T N ( Eenam Rentals)

Recording : TKA Studios

Poster : Vineesh AV

Subtitle : Ardhra Thampi

Cast : Santhosh Venjaramoodu, Sachu Rajappan, Hari Raj, Vaishakh Krishna

Ijjathi | Malayalam Short Film | Satire | Mahadevan | Sachin Reeko | Creative Heads

The film offers a thought-provoking look at the complex social and political situation in Kerala, focusing on issues of casteism and elitism. Using political satire, the film examines power dynamics and social hierarchies, highlighting the inherent absurdity of structural inequalities. It encourages viewers to think critically about how these systems of oppression continue to influence current realities. The title itself, 'Ijjathi' translated as 'these kinds of' is a colloquial dialect, a portmanteau of the words 'Ee' (these) and 'Jaathi' (caste). The film uses these two titles interchangeably, deliberately to add an undertone of satire.




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Music used: Manushyan Mathangale · K.j. Yesudas

Achanum Baappayum

℗ 2020 Saregama India Ltd

Released on: 1972-01-01

Producer: C.c. Baby
Composer: G. Devarajan

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