Gustav Holst; The Planets, op. 32 (images and sounds of planets) - VPO; Karajan (HD)

#HolstThePlanetsKarajan #ThePlanetsKarajan #HolstThePlanets #ViennaPhilharmonic #WienerPhilharmoniker #Karajan #HerbertvonKarajan

GUSTAV HOLST; "THE PLANETS", suite, op. 32 (images and sounds of planets)

SOUNDS OF MARS (0:00:14)
I. MARS, THE BRINGER OF WAR (0:01:15)
II. VENUS, THE BRINGER OF PEACE (0:08:21)
SOUNDS OF VENUS (0:16:41)
III. MERCURY, THE WINGED MESSENGER (0:17:10)
SOUNDS OF MERCURY (0:21:06)
SOUNDS OF JUPITER (0:22:07)
IV. JUPITER, THE BRINGER OF JOLLITY (0:23:06)
SOUNDS OF SATURN (0:30:42)
V. SATURN, THE BRINGER OF OLD AGE (0:31:39)
SOUNDS OF URANUS (0:40:10)
VI. URANUS, THE MAGICIAN (0:41:30)
SOUNDS OF NEPTUNE (0:47:17)
VII. NEPTUNE, THE MYSTIC (0:48:16)
Vienna Philharmonic Orchestra; Dames of Wiener Staatsopernchors; Herbert von Karajan (1962)

SOUNDS OF PLUTO (0:55:39)
VIII. PLUTO, THE RENEWER (Colin Matthews) (0:57:15)
CREDITS (1:03:58)
Royal Scottish National Orchestra Chorus
David Lloyd-Jones

Best performance: HD/full screen.


Obs: o vídeo não é monetizado pelo seu autor, mas pelos detentores dos direitos autorais da música, que permitem a utilização da mesma no youtube (sem controlar diretamente o seu uso). De modo que as imagens nele utilizadas não foram exploradas com fins lucrativos, sem descumprimento da política da NASA.
Aos autores das imagens artísticas, observo que o vídeo não possui intenções lucrativas, acrescentando que a divulgação do material possui as suas vantagens evidentes. As mesmas poderão ser dispensadas a qualquer tempo, estando eu disponível para diálogos, caso aplicáveis os rigores da lei. Nem todas, mas a maioria das imagens utilizadas neste vídeo são de autoria alheia.

The video consists of a creative and interdiscursive paraphrase, involving the concept of bricolage. It is based, as a work of art, on the dialogical relationship between 1) the author and his subjectivity (times, places and memories, alluded to through images, 2) the musical composition and its characteristics and 3) the interpretation of music (with its unique and non-transferable nature). Such interdiscursivity does not occur in the typical and most common level of verbal language, if not in a secondary way, involving photography and musical sound stimuli, which are interconnected and constitute, by the massive combination of various elements (the various photographs and sonorous and interdiscursive stimulus), a bricolage. The video, on the other hand, can be considered an imagery interpretation of classical music.