Leeum Museum of Art presents VOICES a solo exhibition of Philippe Parreno February 28 to July 7.2024

Описание к видео Leeum Museum of Art presents VOICES a solo exhibition of Philippe Parreno February 28 to July 7.2024

리움미술관은 전세계 미술계가 주목하는 프랑스 작가 필립 파레노(b. 1964)의 개인전 《보이스(VOICES)》를 2월 28일(수)부터 7월 7일(일)까지 개최한다. 전시는 지난 90년대 초기작부터 이번 전시에서 처음 소개하는 대형 신작까지 필립 파레노의 작품 세계를 관통하는 국내 최초 대규모 개인전이다.

리움미술관의 데크에서 대형 신작 '막(膜)'(2024), 그라운드갤러리와 블랙박스, M2 B1, 1층, 로비에서 '차양' 연작(2014-2023), '내 방은 또 다른 어항'(2022), '마릴린'(2012), '세상 밖 어디든'(2000) 등을 포함한 조각, 설치, 영상 등 총 40여 점의 작품을 선보인다.실재와 가상, 자연과 기술에 대한 철학적 사유를 보여주는

         필립 파레노 《보이스(VOICES)》

□ 현대미술계 가장 영향력 있는 작가의 국내 최초, 최대 규모 개인전

90년대 초기작부터 신작까지 파레노의 작품세계를 포괄하는 서베이

전시로 리움미술관 전체 공간에서 선보이는 미술관 최대 규모의 전시

- 신작 야외 설치 대형 타워 막(膜)(2024), ∂A(2024)  델타 에이, 움직이는 조명등(2024)을 비롯 차양 연작(2014-2023), 마릴린(2012) 등

총 40여점 공개

 

□ 전시 전체를 하나의 거대한 설치 작품으로 구현

- 시간의 인식과 경험, 실재와 가상, 관객과 예술의 상호작용을 탐구하며

예술작품과 전시 경험을 재정의하는 유기적 전시 형식 제안

- 영상, 조각 등 다양한 매체를 활용하며, 데이터 연동, 인공지능, 디지털

멀티플렉스(DMX) 기술을 통해 전시를 거대한 자동 기계로 변신시킴


□ 전시 공간을 압도하는 새로운 목소리와 전시를 조율하는 인공두뇌

- 배우 배두나의 목소리가 인공지능을 통해 새로운 ‘목소리’로 탄생하고,

언어학자가 발명한 새로운 언어를 습득하며 발화의 주체로 성장

- 인공두뇌를 사용하여 외부 환경데이터를 사운드로 전환하고, 사운드와

목소리가 상호작용하며 전시 공간에서 청각적 풍경을 연출


□ 독일 뮌헨의 하우스 데어 쿤스트와 국제적 협력

‘보이스’ 라는 공통 주제와 핵심 작품을 공유하며, 각 기관에서 다른

전시를 펼치는 이란성 쌍둥이 전시 모델 제안

- 작가의 전체 영상 작품의 자막 모음집 보이스: 발화된 언어 및 도록을 양 기관 공동 발간


자료제공 리움


26 FEBRUARY 2024FOR IMMEDIATE RELEASE

Leeum Museum of Art presents VOICES,
a solo exhibition of Philippe Parreno


Leeum Museum of Art presents VOICES, the first solo exhibition of the internationally renowned French artist Philippe Parreno to be held in Korea. Parreno rose to prominence in the nineties, radically redefining the exhibition experience by taking it as a medium and placing its construction at the heart of his process. VOICES will be the largest comprehensive survey of the artist to date in Asia, showcasing both existing works from his thirty-year career as well as new works created on the show.

VOICES will span six spaces within the museum, including the outdoor deck, lobby, M2, Black Box and Ground Gallery. The exhibition will offer a holistic artistic experience of emotional and synesthetic choreography centered around “multiple voices,” a theme that consistently emerges as a key element in Parreno’s work.

Philippe Parreno challenges the traditional notion of the artist - his interest lies less in the production of objects than in the forms in which they are displayed and the interactions resulting therefrom. As such, each of his exhibitions becomes a fluid and open platform for perceiving and experiencing time. By exploring the dynamic relationship between exhibition and artwork, and offering “experiences of time,” he pioneered a revolutionary shift in contemporary art forms of the 1990s. Utilizing the methodologies and vocabulary of different media like radio, television, film, and advanced information technology, blurs the boundaries between reality and fiction, prompting non-linear temporality and radical changes in narrative structure. Multi-layered and intricately interwoven, his works are and in endless motion, impossible to reduce to a single position or medium. To Philippe Parreno, an exhibition is not just an arrangement of artworks, but a creative act in its own right.
In VOICES, Parreno breathes life into objects and enables their transformation into subjects; it is the very protagonist that drives the narrative of the exhibition. To Parreno, a “voice” is both a specter and an algorithm that presides over the appearance and disappearance of life, as well as an entity that vocalizes fact and fiction: “To endow an object with a voice is to bestow upon its subjectivity, whether that object is a stone, a forgotten fictional character, a group of children, a ghost, or spirits. To vocalize something, we witness is to appreciate its uniqueness. An object yearns to transition into a subject.”
This exhibition brings together the multiple voices that existed as fragments in the past into a single whole that asks how it may exist here and now. To this end, the artist creates an entirely new voice. With Membrane, a 13.6M tower structure, installed on the outdoor deck of the museum, Parreno worked with a linguist to create a new language to give a voice to this new work. The actual voice of Korean actress Bae Doona transforms into a virtual but real one using artificial intelligence. ∂A (2024), born out of a collaboration with the actress, starts from an untraceable and unintelligible murmur and grows over time to become an entity that speaks, as it learns this “new language.”
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