How to Study Bridgman - Student Anatomy Critique

Bridgman is a great artist to study from if you have some anatomy experience. It can be confusing if you’re not sure how to analyze his drawings. In this student critique for the triceps lesson, I talk about how to learn from Bridgman and apply the concepts to your drawings.

The most common mistake when drawing after Bridgman (I was guilty of this one), is copying his marks. Instead, look at what he’s trying to show you. His drawings are exaggerations of the form analogies he’s trying to communicate to his students. Bridgman is all about 3D form. He simplifies form better than anyone else. He shows us how the forms lock together and flow through the body. Even though he’s so heavy on structure, his drawings are super dynamic. Once you learn how to study Bridgman, his teaching becomes priceless.

If you like this critique, this other one about drawing dynamic anatomy is useful:

Deltoid critique:    • Drawing Dynamic Anatomy - Deltoid Cri...  
Biceps critique:    • Simplifying Arm Muscles with Cross Co...  
Triceps critique:    • Avoiding Symmetry when Drawing Tricep...  

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This free drawing critique is a sample of the Anatomy for Artists course offered on Proko.com. The premium section has more biceps critiques. It also has more lessons, demonstrations, 3d models and an ebook for each lesson that you can print out for review. Get the course at http://proko.com/anatomy

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CREDITS:

Artist | Instructor | Producer - Stan Prokopenko (http://www.stanprokopenko.com)
Production Assistance - Sean Ramsey (http://www.peoplewhodrawstuff.com), Maggie Ivy
Editing - Dzmitry Tsydzik (http://white-agency.com), Sean Ramsey, Stan Prokopenko
Students - Eryk Szczygiet, Joe Walker, Sonal Prabhune, Alejandro Farrera Hernandez, Sharleen Cu, Donald Sandor, Miguel Arguelles, Sun-Bop, Yingbo Zhu, Shameem-Ahmad, Sun Wei, Neville Harvey, Heinrich Zaunschirm, Edward Zou
Music Used with Permission
Intro - The Freak Fandango Orchestra

#GeorgeBridgman #FigureDrawing #AnatomyForArtists