Neon Genesis Evangelion Rap | Richie Branson - "Nerv Damage" | MechaWave (Lofi Anime & Chill)

Описание к видео Neon Genesis Evangelion Rap | Richie Branson - "Nerv Damage" | MechaWave (Lofi Anime & Chill)

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Happy #OtakuTuesdays, here's a Neon Genesis Evangelion rap! I never really liked my voice after my surgery, except when it's srewed in a specific way over a lofi anime beat (i call this combination "Downstep"). I remixed Cruel Angel's Thesis from the Neon Genesis Evangelion OST into a chill beat, and dropped some raps over it. Been experimenting with this style for a little bit, would love your opinion in the comments.

SONG TITLE:
Richie Branson - "Nerv Damage" (coming soon to streaming platforms)

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Neon Genesis Evangelion (Japanese: 新世紀エヴァンゲリオン, Hepburn: Shinseiki Evangerion, lit. "New Century Gospel") is a Japanese mecha anime television series produced by Gainax and Tatsunoko Production, directed by Hideaki Anno and broadcast on TV Tokyo from October 1995 to March 1996. The cast included Megumi Ogata as Shinji Ikari, Kotono Mitsuishi as Misato Katsuragi, Megumi Hayashibara as Rei Ayanami, and Yūko Miyamura as Asuka Langley Soryu. Music for the series was composed by Shirō Sagisu.

Evangelion is set fifteen years after a worldwide cataclysm, particularly in the futuristic fortified city of Tokyo-3. The protagonist is Shinji, a teenage boy who was recruited by his father Gendo to the shadowy organization Nerv to pilot a giant bio-machine mecha called an "Evangelion" into combat with alien beings called "Angels". The series explores the experiences and emotions of Evangelion pilots and members of Nerv as they try to prevent Angels from causing more cataclysms. In the process, they are called upon to understand the ultimate causes of events and the motives for human action.[5] It recast the saintly inventor/father as a sinister figure, and the enthusiastic teenage protagonist as a vacillating introvert, a deconstruction of classic mecha anime tropes. The series features archetypal imagery derived from Shinto cosmology as well as Jewish and Christian mystical traditions, including Midrashic tales, Kabbalah and Gnosticism. The psychoanalytic theories of Freud and Jung also feature prominently.

Neon Genesis Evangelion received critical acclaim but also garnered controversy. Particularly controversial were the last two episodes of the show. In 1997 Hideaki Anno and Gainax released the feature film The End of Evangelion, providing an alternative ending for the show. Regarded as a deconstruction of the mecha genre, the original TV series led to a rebirth of the anime industry and has become a cultural icon. Film, manga, home video, and other products in the Evangelion franchise have achieved record sales in Japanese markets and strong sales in overseas markets, with related goods selling over ¥150 billion by 2007 and Evangelion pachinko machines selling ¥700 billion by 2015.

Lofi is a music or production quality in which elements usually regarded as imperfections of a recording or performance are audible, sometimes as a deliberate aesthetic choice. The standards of sound quality (fidelity) and music production have evolved throughout the decades, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi began to be recognized as a style of popular music in the 1990s, when it became alternately referred to as DIY music.

Harmonic distortion and "analog warmth" are sometimes misleadingly suggested as core features of lo-fi music. Its aesthetic is actually defined by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on). Pioneering, influential, or otherwise significant artists include the Beach Boys (Smiley Smile), R. Stevie Moore (often called "the godfather of home recording"), Paul McCartney (McCartney), Todd Rundgren, Jandek, Daniel Johnston, Guided by Voices, Sebadoh, Beck, Pavement, and Ariel Pink.

Although "lo-fi" has been in the cultural lexicon for approximately as long as "high fidelity", WFMU DJ William Berger is usually credited with popularizing the term in 1986. At various points since the 1980s, "lo-fi" has been connected with cassette culture, the DIY ethos of punk, grunge, indie rock, primitivism, outsider music, authenticity, slacker/Generation X stereotypes, and cultural nostalgia. The notion of "bedroom" musicians expanded following the rise of modern digital audio workstations, and in the late 2000s, lo-fi aesthetics served as the basis of the chillwave and hypnagogic pop music genres.

Thanks for checking out my Evangelion lofi rap! Don't forget to tap that bell for more anime lofi remix and rap content dropping weekly!

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