Скачать или смотреть A Study on the Historical Attribution of the Narmer Palette Unearthed in China

A Study on the Historical Attribution of the "Narmer Palette" Unearthed in China
(1) "Hongshan or Ancient Egypt?"
Why would an artifact resembling Egypt’s Narmer Palette be unearthed in China?

A bold hypothesis: perhaps it is related to the Sun God (extraterrestrials), UFOs, and time-space travel.

Recently, one of our members acquired several prehistoric Hongshan artifacts that bear striking resemblances to Egyptian pharaohs, queens, and sphinx-like figures. Remarkably, these artifacts possess Hongshan’s unreplicable tool marks and feature East Asian facial features and Hongshan-style C-shaped dragon ornaments.

Such findings strongly suggest that Ancient Egyptian civilization (~3000 BCE) was, in fact, a continuation of the prehistoric Hongshan culture.

(2) Understanding the Original Egyptian Narmer Palette
The Narmer Palette is an artifact from Egypt’s Early Dynastic Period, dated around 3000 BCE. It is made of siltstone, stands 63.5 cm tall, and is currently housed in the Egyptian Museum in Cairo.

This shield-shaped relief commemorates the first pharaoh, Narmer, unifying Upper and Lower Egypt.

Back side: Narmer, wearing the white crown of Upper Egypt, strikes down an enemy wearing the red crown of Lower Egypt. Above is the falcon god Horus, who holds a man's head in his talon and stands upon six papyrus stalks, symbolizing 6,000 prisoners. Two cow-headed deities represent joy and the Queen of the West, flanking Narmer’s palace. At the bottom, scenes depict the defeated enemy’s retreat.

Front side: At the bottom, a bull (Narmer’s embodiment) charges into a walled city. The middle likely depicts battle scenes. At the top right are two rows of fallen enemies, while Narmer stands to the left, observing. The central intertwined-neck beasts form a circle — this is believed to be a cosmetic pigment grinder, though the palette was too large and ornate for daily use and likely had ceremonial or symbolic function.

(3) The Conclusive Evidence: The “Hongshan Narmer Palette”
A "Narmer Palette" unearthed in China shares 90% of the same totems as the one in Cairo, leading many to question: How could an Egyptian artifact be found in China?

However, a closer look reveals deliberate differences:

The Chinese version lacks some royal Egyptian symbols and hieroglyphs.

In the Chinese version, the ten enemy corpses are intact, whereas in the Cairo version, they are decapitated.

Uniquely, the Chinese palette contains Hongshan tool marks, verified by the Huaxia Hongshan Culture Research Association, such as:

Craft-within-craft micro-carvings

Straight-line carving techniques

Straight-groove perforations

And the “elephant trunk” through-hole, a signature of Hongshan jade work

These features confirm that the Chinese “Narmer Palette” is a Hongshan relic, carved by prehistoric ancestors of the Huaxia civilization.

Hongshan culture was not only the origin of Chinese civilization but also spread its influence overseas, aiding the development of neighboring civilizations.

The Role of the “Sun God” and Extraterrestrial Technology
The “Sun God” often refers to highly advanced extraterrestrials who traveled through space-time via UFOs. They not only brought back beautiful minerals to Hongshan for carving, but also returned with foreign cultural elements to be reproduced as teaching tools for the Hongshan people.

Thus, what later became known as "foreign" artifacts may have had their designs replicated and reinterpreted by the Hongshan civilization.

Final Thoughts
We must not underestimate the highly advanced technologies and culture of prehistoric Hongshan. With the continued research by the Huaxia Hongshan Culture Research Association, more astounding discoveries are sure to come.