Скачать или смотреть ALL PEDAL NO GUITAR ep1 - Old Blood Noise Endeavors Minim vs. Roland JX3P

Episode 1 in our series on pairing guitar pedals with literally anything that's not a guitar. Subscribe here: subscribepage.io/4w3mKI

The Old Blood Noise Endeavors Minim is a boutique effects pedal that blends reverb, reverse delay, and modulation into a moody, atmospheric unit designed for sonic experimentation. It’s the kind of pedal that invites you to linger on single notes or chords, letting trails of reverse and washed-out reverb swirl into textured soundscapes. What sets the Minim apart is its sense of musicality even in chaos—its reverse delay doesn’t feel jarring, but rather fluid and tape-like, creating an almost melodic ebb and flow. The inclusion of an Alt footswitch allows for on-the-fly shifts in character, flipping parameters temporarily to build tension or release it, while an expression input opens the door for even more control. It’s a pedal that rewards playfulness and improvisation, often becoming more of an instrument than an effect.

Released in 1983, the Roland JX-3P was part of Roland’s push to bring programmable polyphonic synthesis to a broader audience, arriving just as MIDI was becoming a standard. It combined six-voice analog synthesis with the convenience of digital patch storage, something that was still a luxury at the time. While its button-based interface made real-time tweaking awkward, the optional PG-200 programmer solved that, offering hands-on control over its richly analog filters and oscillators. Sonically, the JX-3P has a distinct character—cleaner and more polished than the Juno series, yet still capable of lush pads, glassy leads, and punchy basses. Its charm lies in its slightly restrained warmth, making it a favorite for synth-pop, ambient, and more recently, lo-fi and indie electronic artists rediscovering its vintage appeal.