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Imagine: Your Song is Playing in a Tokyo Bar, But You're Not Getting a Cent

Recently, my client discovered thousands of dollars in royalties that had been accumulating for years in his name across different countries. The money was simply waiting for him to claim it.

When you create a track, you automatically have two copyrights: one for the master recording and another for the composition itself. Most musicians only collect royalties for the first one through their distributor, completely ignoring the second.

Here's what you need to do: register with your country's PRO (Performance Rights Organization) — whether it's BMI, ASCAP in the US. Then connect with Topgunmusic Corp to collect international royalties from over 180 countries. And don't forget to register all your tracks with complete metadata.

One artist found more than $5,000 in foreign royalties they weren't even aware of. How much money are you losing right now?

Schedule a consultation — I'll conduct a complete audit of your music business and show you where your money is.