Скачать или смотреть Fast and Furious Fiasco - Impatience is brass playing suicide By Greg Spence WindWorks

So much to learn, so little time... so what happens? Watch to find out! Come and join in, it's fun, effective and FREE to try. https://mysterytomastery.com/windwork...

===

Hi and welcome to Day 5 of the WindWorks Largo Status Stage trial.
Now, of course, this is lecture No. 5
Up until now, most of the lectures have been about psychology, of course;
our understanding of what it should feel like to play and how the system works.
Now, I've mentioned that you need to see the "Body's Concert Hall", "Passive Reduction",
all these videos in the the Foundation Level.
But I haven't mentioned the "Four Factories" and it's a really important one.
And today's lecture, Fast and Furious Fiasco relates to what happens in the “Four
Factories”.
Firstly, Fast and Furious. If you work too fast through, you know this already, I don't need
to tell you,
if you're impatient or you do not understand something that we've already covered in the
course you're going to miss out.
You're going to have to come back or you're just not going to get the results that you want.
The whole purpose of this course is to guide you through to whatever level of player
you want to be.
If you have a one hour lesson once a week, that leaves all of your time on your own,
in your practice room, experimenting and often unguided and falling into big traps.
So with the course here, you've got access to it 24/7 to guide you through so you can
figure out
what you can do, what you can kind of do and what you can't do.
Ideally, we want PURE PROCESS all over our playing.
How do we find that?
What are the four techniques involved in playing?
We've got air/sound. We've got harmonic slurs.
We've got tongue and we've got valves.
That's all there is and I'll give you a little demonstration again.
I haven't even touched the trumpet. It's sitting here. I'll pick it up now just to demonstrate a
point.
I got lucky. I know the feeling somehow of where that Bb sits in the voice or Low C.
Okay. So that, as you know by now, feels like humming.
So I mentioned harmonic slurs.
So, of course, that was harmonic slurs and valves, or we could add tongue or double
tongue.
It's all the same thing.
So we've got the Practice Progress Charts and there seems to be a bit of confusion about
how the Practice Progress Charts work.
Now in WindWorks I've only used the Practice Progress Charts for harmonic slurs
because I think harmonic slurs are the biggest technique that are not correctly explained or
used in a practice routine.
Generally people can't do them, so they shy away from them.
Where as I've just demonstrated it's a tiny change of SHAPE without overblowing,
choking, doing all the nasty things that we tend to want to do.
Fast and Furious fiasco is about the fact, besides if we get impatient and rush through the
course and get frustrated,
the main purpose of it is, once we start doing a harmonic slur.
Now in the Largo Status Stage here you're doing C# to F#, D to G, C to G,
or B flat to F on the on the trombone in the bass clef.
When we tend to go faster, are we maintaining pure process?
Or to just say I can play my C, I see it all the time. That's what happens.
Low C...
Then a G...
But for some reason when...
It turns into...
Everything tightens and we turn in to this and the only way you're going to be able to fix it,
and it's everywhere.