Скачать или смотреть NEW 📀 Somebody To Love - Jefferson Airplane {Stereo} 1967

1967......#5 U.S. Billboard Hot 100, #5 U.S. Cash Box Top 100, #1 Canada
Original video edited and remastered with HQ stereo sound.
"Somebody to Love" (originally titled "Someone to Love") is a rock song that was written by Darby Slick. It was originally recorded by The Great Society, and later by Jefferson Airplane. Rolling Stone magazine ranked Jefferson Airplane's version No. 274 on their list of the 500 Greatest Songs of All Time.
When Grace Slick departed The Great Society to join Jefferson Airplane, she took this song with her, bringing it to the Surrealistic Pillow sessions, along with her own composition "White Rabbit". Subsequently, the Airplane's more ferocious rock and roll version became the band's first and biggest success, reaching No. 5 on the Billboard Hot 100. The group's first hit song, "Somebody To Love" was also one of the first big hits to come out of the US West Coast and San Francisco Bay area counterculture scene, to which numerous artists and musicians would be drawn over the following few years.
Slick's original performance of the song with The Great Society is more subdued, with the Jefferson Airplane version sounding far more accusatory and menacing on lines such as "Your mind is so full of red" and "Your friends, baby, they treat you like a guest." The lyrics are in the second person, with each two-line verse setting a scene of alienation and despair, and the chorus repeating the title of the song, with slight variations such as: "... / Don't you need somebody to love? / Wouldn't you love somebody to love? / ..." Like the album on which it appeared, this song was instrumental in publicizing the existence of the Haight-Ashbury counterculture to the rest of the United States.
Billboard described the song as a "wild dance number loaded with vocal excitement," calling it a "hard driver, featuring powerful female vocal in the lead [which] never stops from start to finish." Cash Box called the single a "bright, pulsating, rhythmic, sometimes-frenetic, funky rock outing." Brett Milano of udiscovermusic.com rated Jorma Kaukonen's psychedelic guitar solo at the end of the song as one of the 100 all-time greatest, stating that it opens "with those three sustained wailing notes and [closes] with those sign-off chords that leave the song forever unresolved."