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Kult is one of the most iconic and enduring rock bands in Poland, known for their uncompromising style, socially conscious lyrics, and charismatic frontman, **Kazik Staszewski**. Founded in 1982 in Warsaw by Kazik, Piotr Wieteska, Tadeusz Bagan, and Wojciech Szymański, the group emerged during a turbulent period in Polish history, at the height of martial law. Their music quickly became a voice for a generation seeking honesty, rebellion, and self-expression.
From the very beginning, Kult stood out with their eclectic sound, blending rock with punk, reggae, jazz, and alternative influences. The band’s debut album, Kult (1987), already showcased their mix of raw energy and intelligent, biting commentary on politics and society. The follow-up records, including Spokojnie (1988) and Kaseta (1989), contained some of their early anthems, but it was the 1990 release of 45-89 that cemented their legendary status. This double album, filled with politically charged lyrics, became one of the most important statements in Polish rock history.
The 1990s saw Kult refining their sound and expanding their audience. Albums like Your Eyes (1991) and Tata Kazika (1993) — the latter based on the poetry of Kazik’s father, Stanisław Staszewski — revealed a more lyrical and diverse side to the band. Songs like Arahja*, *Polska*, and *Gdy nie ma dzieci became generational anthems, combining catchy melodies with sharp social observation.
Over the decades, Kult maintained their status by constantly touring and releasing new material, while never losing their edge. Albums such as Salon Recreativo (2001), Hurra! (2009), and Prosto (2013) proved that their creative energy remained intact. In 2021, they released *Ostatnia Płyta*, once again blending satire, political commentary, and personal reflection.
A defining feature of Kult’s success is their legendary live shows. The annual “Pomarańczowa Trasa” (Orange Tour), held every autumn, has become a Polish rock tradition, with marathon concerts often lasting over three hours. Their fanbase is deeply loyal, spanning multiple generations who grew up with Kult’s music as the soundtrack to social change, personal growth, and protest.
Kazik Staszewski’s distinctive, expressive voice and fearless lyrics — often criticizing authority, hypocrisy, and social injustice — have made Kult not only a musical act but also a cultural phenomenon. While the band’s lineup has changed many times over the years, their spirit has remained consistent: honest, rebellious, and unafraid to challenge the status quo.
Today, after more than four decades on stage, Kult remains one of Poland’s most important and beloved bands. They have managed to stay relevant in a constantly changing music scene, proving that sincerity, artistic independence, and the courage to speak one’s mind can outlast fleeting trends.
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Lyrics:
Nie pomogły zastrzyki, recenzje i pomniki
Ni kwaśne mleko, przyszedł szarlatan, szuja
Obejrzał go, pobujał, demencja praecox
Toż radość była w domu, nareszcie koniec sromu
Skończony kłopot, dozorca śmiał się setnie
Zaraz mu nitkę przetnie, panna Atropos
Żona klaskała w dłonie, ach, przecie nadszedł koniec
Pijackich orgii, bólów miałam niemało
Nareszcie Twoje ciało wezmą do morgi
Wszyscy stanęli kołem z czołem bardzo wesołem
Prasa, kuzyni i szacowne to grono
Orzekło unisono, dobrze tak świni!
Po co dziewki uwodził, nocą domy nachodził
Sen rwąc dzieciątek i po co pod zegarem
Lał w brzucho wino stare, świątek i piątek
Zna go dobrze Warszawa, pożyczał, nie oddawał
Nasienie drańskie, a poetyczne dale
To byly te skandale w Małej Ziemiańskiej
Dobrze Ci stary draniu, za grzechy nad otchłanią
Inferna zwisasz, najprzód gwiazdy i róze
Potem stołek w cenzurzem, sprzedajny pisarz!
Tak to nadobne grono, radziło unisono
W śmiertelnej sali, a że lico miał bladsze
Orzekli pewnie nadszedł koniec kanalii
Zapachniały zefiry, brzękły potrójne liry
Pierzchnęła tłuszcza serce alkoholowe
Unieśli aniołowie na złotych bluszczach
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