This video tutorial is an introduction to the Theory of Rhythm from the Schillinger System of Musical Composition. It presents the first three chapters from the book, explaining the techniques of interference of periodicities, binary synchronization and grouping. There are various options for notating the resultant rhythmical patterns, i.e., the attack-duration series when two generators, two ticking clocks, are synchronized until recurrence is achieved. Rhythms are demonstrated for various generator combinations and time signature overlay, all with instrumental form examples in different musical styles.
Companion document (text, diagrams and score fragments) available on Patreon.
See the catalogue at https://www.fransabsil.nl/archpdf/Pat...
Contents:
00:00 Opening titles
00:26 What this video is about
01:10 Section 1 Introduction, Schillinger System of Musical Composition
01:44 Section 2 Schillinger Theory of Rhythm
02:07 Section 2.1 Notation alternatives, graph paper, piano roll, attack-duration, staff
03:01 Section 2.2 Binary synchronization, interference, major and minor generator
04:06 Section 2.3 Uniform binary resultant r(2,1), r(3,1), r(4,1), instrumental forms
06:39 Section 2.4 Non-uniform synchronization r(3,2), resultant, recurrence
08:41 Section 2.5 Non-uniform synchronization r(4,3)
09:25 Section 2.6 Non-uniform synchronization r(5,2)
10:04 Section 2.7 Non-uniform synchronization r(5,3)
10:53 Section 3 Grouping, time signature, meter overlay
10:58 Section 3.1 Grouping by the common product, major or minor generator
14:43 Section 3.2 Irregular grouping
19:52 Summary and conclusion
#SchillingerSystem #rhythm #BinarySynchronization
Buy the book 'A Guide to Schillinger's Theory of Rhythm, 2nd Edition' at
https://www.fransabsil.nl/htm/rhythmb...
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