500T 7219 PUSH / PULL TEST - ARRIFLEX SR3

Before the lockdown Simon and I decided to do some push / pull processing of some 500T.

We were mostly interested in seeing how specific sources would clip and when they would. Also wanted to analyse what pushing and pulling would do to the image. It's always good to see it with your own eyes.

We had a general plan we tried to stick to. Each process was compensated for. Each process used the following:

Correct Exposure
2 Stops Over
2 Stops Under
Only Key
Key : Kino Freestyle : 170 KF Blue Sky / Fill : 38 Pale Red Red
Key : 116 Lime Green / Fill : 158 Bright Blue

Here is the lighting plan for reference with spot meter readings of every source in and out of frame :
drive.google.com/open?id=1Kfl2fef5CEpnZb9HYtwKJiKdxsSM_T9J

Stills : drive.google.com/open?id=12fWjYFFjMgE631L7WeZmMKb9wRvJZzXb

Unfortunately the lab to pull by 2 stops, so we were limited to 1 stop. Still good to see the change in contrast.

Techical specs :
ARRI SR3 ADVANCED with Kodak 500T / 7219
ARRI ZEISS 11-110mm T2.2

Massive thanks to :
Greenkit
Digital Orchard
Kodak

Website: https://www.rhyswarren.co.uk
Instagram:   / rhyswarren