Скачать или смотреть Red:birthmark (Full ver.) - アイナ・ジ・エンド/TK - Piano Arr. (ガンダム水星の魔女 Gundam The Witch from Mercury ED2)

Hopefully someone will play this XD
Sheet music: https://drive.google.com/file/d/1toPi...

https://musescore.com/user/32244609/s...


Some notes:
 
Tempo marking for reference: Tempo I: ~98bpm, poco piu mosso: ~110bpm, up to 119 when fired up. Poco meno mosso: ~106bpm

Bars 1-8: I tried to imitate the violin with the octaves at high register. Pedal was written through bar 8 to mimic the echoes.
 
Bars 9-12: Constant F note on left hand despite chord changes to represent the drum beat. 
 
Bars 13-14: I fitted in the piano part of the original song.
 
Bars 17-19: I replicated the original accompaniment.
 
Bar 20: is played like a whisper. The chromatic bass line was inspired by the later bar 56.
 
Bars 21-28: is imitating the dance sequence of the ED. The rhythm slaps hard here. Violin passages were also replicated.
 
Bars 29-35: For the left hand, only the notes on downbeats are to be accented. Pedal lightly with the exception of bar 32. The right hand occasionally joins the top note of the accompaniment.
 
Bar 32: Pedal the F on the first beat through the I chord to create a sonorous effect.
 
Bar 36: The bass line was directly copied from the original song. It’s hard to mimic the vocal glissando with piano so I just wrote some broken chords over a chromatically rising melody.
 
Bars 37-44: A subdued version of the opening bars. The violin melody is no longer played in octaves.
 
Bars 45-48: Right hand mimics strings while the left hand hits those bass notes in F to mimic the percussion.
 
Bars 53-55: The melody is scattered. This part is meant to be played fierily. 
 
Bars 57-61: The left-hand pattern is a homage to Animenz’s arrangement of Unravel.
 
Bars 65-76: I took more creative liberties in these bars. Bars 67 and 69 have accompaniments echoing the melody (CBbC pattern). Bar 70 has a counter-melody on the left hand impressed by the viola(?) of the original song. In Bar 71 I attempted to mimic the voice cracks with the acciaccatura and added a Cb on the left hand towards the end of the passage. I also added a rapid arpeggio passage in bar 75 before the melody in pianissimo to create more contrast. 
 
Bar 77: Glissando starts at F because it sounds cooler.
 
Bars 78-85: These bars follow a strict 3-3-2 rhythm and the rest of the notes are just add-ons to create a fuller sound. The left hand chords are inspired by Chopin while the right hand is just playing a bunch of broken chords around the melody.
 
Bars 86-89: are also inspired by the arpeggios in Animenz’s transcriptions.
 
Bars 90-93: I tried to make these bars sound as sonorous as possible. It’s intentional to hit the lowest note of the piano.
 
Bars 94-97: The last bars are just a carbon copy of the original song.