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Скачать или смотреть Jerry Garcia & Merl Saunders 01.21-22.1975 Berkeley, CA BettySBD

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  • 2024-12-02
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Jerry Garcia & Merl Saunders 01.21-22.1975 Berkeley, CA BettySBD
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Описание к видео Jerry Garcia & Merl Saunders 01.21-22.1975 Berkeley, CA BettySBD

Jerry Garcia and Merl Saunders January 21-22, 1975
Keystone - Berkeley, CA

Track list:
0:00:00 Harder They Come (1) %
0:18:25 //When I Die (2)
0:31:26 Pennies From Heaven// % dead air
0:47:23 //After Midnight (3)
0:59:55 When I Die
1:18:35 You Can Leave Your Hat On// % dead air
1:30:07 ////How Sweet It Is (To Be Loved By You) (4) % dead air

Lineup:
Jerry Garcia - el-g, vocals
Merl Saunders - keyboards, vocals
Martin Fierro - saxophone
Tony Saunders - el-bass
?? - drums

MSR ~ PCM ~ DAT ~ ZA2 ~ CDR (xx) ~ EAC ~ flac1644.

Notes:
! database: none.

! FYI: http://dead.net/show/july-21-1974

! We cannot know how much of a show, or how many pieces of shows, this represents. I have conjectured before that this represents bits and pieces of tape. It's so cut up, we really can't tell what might go with what except for the ca. 40-minute piece of continuous tape from After Midnight to Leave Your Hat On. HTC is definitely the end of a first set, and HSII is definitely the end of a show, but beyond that we don't have much to go on.

! Personnel: Tony Saunders is on bass, which only really happened when Kahn was unavailable. As noted just above, this lends some credence to a 7/21/74 dating. I do not know who is drumming. The guy is really good. Possibilities include Bill Kreutzmann, Paul Humphrey or Gaylord Birch, all of whom Tony Saunders remembers playing with in the Saunders-Garcia band. E.W. Wainwright apparently played with Aunt Monk at the Generosity (timeframe uncertain) and also sat in at least once with Garcia-Saunders (3/14/74, Keystone Berkeley). Larry Vann and Bob Stellar both also drummed with Aunt Monk and could be possible here.

! R: this is a really sweet sounding recording. First fucking rate. It's maybe a little bright, as if maybe the PCM gen put some pre-emphasis in that never got decoded out. But Betty Cantor-Jackson is a true genius. This recording came from "Batch One" of the Betty tapes, which explains the PCM gen.
P: d1t01 HTC the drummer is really hot. Now, of course, Betty knows how to mic him perfectly. The snap is fantastic. But that's also because the dude is *hitting. Merl also sounds really nice. Jerry gets a nice metallic sound for his solo in the 12-minute mark, extremely electric.

! d1t01 HTC In the 8-min mark is that alto sax? Martin is keeping it nice and tight here.

! venue: crowd sounds too big to be the Sand Dunes. Maybe 7/21 and 7/22 go together, and are actually from the Keystone.

! (1) JG: "We're gonna take a break for a little while. We'll be back a little bit later."

! P: d1t02 WID when they drop into the jam around 2;30, it's really nice, with Tony Saunders supplying the big bottom end and Merl cooking around and through him. Tony does some nice ascending runs at the start of the 3-min mark. Martin misses the return to the '1' about 11 minutes in, but treats discretion as the better part of valor, stops, andjoins the rest of the band.

! R: d1t02 When I Die cuts in, not much missing;

! d1t02 (2) Tony Saunders can be heard talking to Jerry from 12;41 to the end of the track.

! setlist: d1t03 Pennies From Heaven is the Arthur Johnston/Johnny Burke composition (1936). Thanks to Tony Saunders for identifying it.

! R: d1t03 Pennies From Heaven cuts out;

! R: d2t01 After Midnight cuts in, substantially underway in the middle of a loud Martin solo.

! P: d2t01 AM Tony picks some really big notes about 5-minutes in. Merl is doing his tasteful Jimmy Smith thing as we approach the 6-minute mark, his son thumping along underneath. @ 6;12 the drummer makes himself heard with some nice cymbal work. It's grooving now.

! d2t01 (3) @ 11;52 someone asks "Jerry, you want a hit man?" Folks on and near stage laugh, Garcia asks back "Do, I want a hit, man? I just had one."

! P: d2t02 WID is much faster than the version that appears earlier in this fileset. The drummer is a monster at the start of this version (though, again, there's always the fact of Betty's amazing tapes to factor in).

! P: d2t03 YCLYHO Merl is a little confused about the vocals at the start.

! R: d2t03 YCLYHO Vocals are very low in the mix, come in better after about a minute and a half.

! P: d2t03 YCLYHO Martin does some ear-splitting stuff @ 5;55.

! R: d2t03 YCLYHO cuts out, unknown amount missing.

! R: d2t04 How Sweet It Is cuts in, almost entirely missing

! d2t04 (4) JG: "See y'all later."

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; ... = fade in/out; # = truncated timing; [ ] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the "real" time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

#GarciaSaunders #JerryGarciaBand #gnuTUBE

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