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1 Corinthians 5 confronts a case of egregious incest sexual immorality tolerated by the church; Paul urges sorrow and decisive discipline—removing the offender—because "a little leaven" corrupts the whole lump. Church discipline aims at repentance and restoration, distinguishes judging the world from correcting members, and calls the community to holiness, purity, and faithful communal responsibility.
Verse 1
Word came like a winter wind through the door,
A shame we let walk freely on our floor.
We wore our pride like armor, called it peace,
While the rot inside our house would not cease.
Pre‑Chorus
Ought you not to mourn, O church, awake?
Tear down the veil of arrogance we make.
Chorus
Cleanse the lump, cast out the leaven,
Call the lost back to the heaven.
Not for vengeance, but for healing’s sake,
So the broken heart may rise and not break.
We are a people called to be pure,
Guard the table, keep the faith secure.
Verse 2
Though absent in body, the Spirit stands near,
When we gather in Jesus, His power is here.
Deliver to the dark, that flesh might be undone,
That spirit may be saved when the day is won.
Pre‑Chorus
A little yeast will sour all the bread,
So mourn, repent, and lift the dead.
Chorus
Cleanse the lump, cast out the leaven,
Call the lost back to the heaven.
Not for vengeance, but for healing’s sake,
So the broken heart may rise and not break.
We are a people called to be pure,
Guard the table, keep the faith secure.
Bridge
Do not mix with those who call themselves the Lord’s,
If their life denies the cross and mocks His words.
Judge not the world, but judge within the fold,
Hold fast to truth, be tender, be bold.
Breakdown (spoken)
We are called to mourn, to act, to pray—so that the sinner might be saved.
Final Chorus (lifted)
Cleanse the lump, cast out the leaven,
Call the lost back to the heaven.
Let repentance rise like morning light,
Turn the darkness into sight.
We are a people called to be pure,
Guard the table, keep the faith secure.
Outro
So mourn with mercy, act with love,
Till every heart is turned to God above.
A tense folk blues rock ballad at 60–72 BPM opens with sparse acoustic guitar, plaintive cello pad, soft piano, and brushed snare, Verses are intimate, colored by distant ambient swells, Chorus unveils a hushed, urgent choir, Richer cello and piano arrive in verse two, The bridge surges—persistent percussion, folk-soul harmonies, and a spoken vocal layer, Final chorus bursts with layered choir, full acoustic arrangement, and dynamic urgency, then fades to a hopeful, quiet tag: guitar and cello sustain beneath a lone voice, clean and rich, minimal reverb enhancing an organic, tactile close
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