REFIs it possible to show a day in the life of someone who doesn't exist? Mara is a librarian who enjoys writing, taking care of her cat, hanging out with friends, riding her bike, and eating good food. This AI short film offers a quiet, observational look at one beautifully ordinary day in her life.
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I made the consistent character of Mara using the "Jump to" feature in Google Flow. I was inspired by French New Wave movies like Jules and Jim and The 400 Blows as well as slightly more modern films like Frances Ha, Before Sunset, Chungking Express, and The Last Days of Disco. I really love observational, character driven movies and wanted to make one with AI.
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OPENING SHOT: Medium close-up observational shot. Camera begins gently behind the woman, capturing her tall frame, comfortably and naturally proportioned, shoulders relaxed, standing easily as she gazes thoughtfully toward the softly glowing sunset. She wears a comfortable grey hoodie over a periwinkle-colored t-shirt, which rests naturally against her frame, suggesting relaxed confidence and quiet comfort in her own skin. Her short tousled blonde hair is loosely parted, natural waves moving subtly in the gentle breeze. Slowly and gracefully, the camera arcs around her side, gently framing her warmly cerebral, earnestly offbeat face softly illuminated by muted golden and lavender sunset hues. Her facial features are unconventionally defined, with warm greenish-blue eyes quietly reflecting depth, curiosity, and thoughtful intelligence. Her melancholy introspective demeanor is warmly approachable, gently humorous, quietly vibrant, as if about to say something gently funny or insightful. Her gaze is slightly off center as if looking off in the distance. The visual style embodies cinema vérité-inspired realism: naturalistic soft lighting, muted earthy color palette, subtle filmic grain, and intimate camera motion designed to capture delicate emotional shifts.
REFRIGERATOR: She is now inside a modest apartment kitchen — medium handheld shot, waist-level side angle. She opens the fridge door slowly. Cold light spills across her face as she stands there, still. She scans the shelves: half a lemon, an open jar, maybe a near-empty carton. Nothing worth grabbing. She exhales softly—no drama, just that familiar flat note of realizing there’s nothing. After a beat, she closes the fridge and scratches the back of her neck. The handheld camera holds steady at counter height, gently swaying with her motion. The sound is minimal: the hum of the refrigerator, a faint creak of the hinge, and the soft suction click of the door closing. The visual style reflects cinéma vérité realism—ambient lighting, natural color temperature from the fridge, no stylization, no score. Just a small, shared human moment captured as it is.
FOOD CART: the woman is now standing at a food cart in a downtown food cart, talking to the food cart vendor inside the cart while reading the posted menu. After reviewing for a moment she says: “Hmm, let's see. How spicy are the noodles? I want my mouth to be on fire.” Her tone is light, amused. The handheld camera holds mid-height, swaying gently with her motion. The tone is casual, immediate, observational. No score—just city ambience: faint traffic, voices, clatter of foil and tongs. The visual style embodies cinema vérité-inspired realism: naturalistic soft lighting, a muted, earthy color palette, subtle filmic grain, and intimate camera motion designed to capture nuanced human emotion
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