ArticulatePH is thrilled to present Lost Conversations, a series of interviews conducted 40–50 years ago by publisher, art critic, and artist Cid Reyes.
Cid recently rediscovered these cassette tape recordings of conversations with established artists, masters, and National Artists, and ArticulatePH has now digitized them for today's art enthusiasts.
These invaluable sound bites, now carefully restored, are truly national treasures, transporting us to an era on the brink of a Philippine contemporary art revolution.
What is it like to be married to a fellow artist? How does the marriage endure the pressures of familial obligations and the demands of responding to one's artistic calling? More significantly, will the lifelong bond transcend the competition and ego clashes between two individuals with differing temperaments?
Angelito Antonio and Norma Belleza were at the forefront of a native idiom that came to be known as the folk genre. It has opened an inexhaustible treasure trove of images for Filipino artists. More than just a familiar iconography rendered in each artist’s individual style, the folk genre has an almost immediate emotional connection with Filipino viewers.
The art of Angelito Antonio lies at the heart of the folk genre: peasants and vendors, farmers and fishermen, bird sellers and musicians, sabungeros (cockfight enthusiasts), the Filipino family, and, inescapably, the Mother-and-Child theme. While these themes are familiar and accessible to every Filipino artist, what differentiates Antonio's work is his daring pictorial invention of fragmented planes that slide beneath and past one another. With the deliberate use of the starkest black pigment to delineate the contours of the figures and objects, Antonio invests his works with a more robust, gritty quality, a kind of rawness and lyrical harshness – achieved through a brisk, aggressive application of paint, invigorating what would otherwise be a static composition. Antonio has always favored an intense, acrid chromatics, tempting some sensitive observers to describe it as “asim-mangga.” In particular, his use of acidic yellow, which saturates his depiction of musicians, imparts the painting with a lemony zest and kick.
Norma Belleza, on the other hand, exemplifies the artist who has stayed true to her calling, vision, and instincts and emotions. Consciously resisting Western influences or movements, she has remained faithful to her own style, which strikes the audience as a hybrid of naif art and expressive self-awareness, celebrating traditional Philippine subject matter, mainly vendors and market scenes, that capture the warm and robustly tropical temper of her art. Belleza proposes an art without guile, yet rendered in an individual manner with the brush. Her strength is in finding the spatial context of her accumulated objects – fruits, vegetables, fish, baskets, kitchen implements – lushly conveying the spirited energy, the native vibrance, of a crowded space, brimming and bristling with hot, high-keyed colors.
Angelito Antonio passed away in 2025.
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