Скачать или смотреть Who Gets to Edit Culture? Sensitivity Readers & Censorship in Book Publishing

The Michael Shermer Show # 588

Publishing likes to imagine itself as a marketplace of ideas with a strong immune system: good arguments win, bad ones fade, and editors act as principled gatekeepers. In practice, it’s also an industry with thin margins, status anxiety, and a constant fear of reputational damage.

Adam Szetela argues that a lot of what gets called “cancel culture” in books is better understood as risk management under social-media conditions. Outrage compresses timelines, collapses context, and turns interpretation into a moral referendum. A handful of motivated actors can create the impression of a mass consensus — and once that perception takes hold, institutions often move first and ask questions later.

We talk about how “sensitivity reading” functions in this environment: sometimes as thoughtful critique, sometimes as a liability shield, and sometimes as a tool that quietly shifts a book’s meaning toward whatever ideology currently feels safest. The result is a distributed system of incentives that nudges publishers toward caution, self-censorship, and blandness… while occasionally rewarding controversy because conflict drives attention.

This conversation doesn’t treat every public criticism as illegitimate, or every publisher decision as cowardice. The point is to map the machinery: how reputations get threatened, how moral language expands, why apologies can backfire, and why the incentives often select for the loudest framing over the most accurate one.

Adam Szetela earned his PhD in English from the Department of Literatures at Cornell University. Before Cornell, he was a visiting fellow in the Program on the Study of Capitalism at Harvard University. He writes for The Washington Post, The Guardian, Newsweek, and other publications. Among other places, his writing has been honored by the Society for Features Journalism. His new book is That Book Is Dangerous! How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing.

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