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A lavish royal durbar in colonial India where a native king faces a tense tribunal of British redcoat soldiers and officers, ornate palace hall with high arched jharokha windows, intricate lattice screens and chandeliers, grand crystal chandelier in the center, marble floor reflecting warm golden light, the maharaja in cream and gold traditional attire sits on a throne beside a worried noblewoman, royal guards in turbans and sashes stand behind them with spears, long double line of British infantry in bright red uniforms, white belts, tall black caps and rifles forming a corridor toward the throne, atmosphere heavy with political intrigue, power imbalance and impending rebellion, highly detailed cinematic still, dramatic lighting, rich warm color grading, historical period film look, ultra realistic, 16:9 frame.
In an opulent royal palace inspired by late-19th‑century colonial India, a long marble hall stretches toward a carved wooden doorway framed by intricate jali (lattice) windows that filter in soft golden light.
Two perfectly aligned rows of palace guards stand facing each other along the corridor, motionless and disciplined, wearing crisp cream uniforms with bright red jackets, white turbans, polished leather boots, and rifles held upright against their shoulders, forming a human tunnel of honor for those who enter.
The air feels heavy with incense and tension, as crystal chandeliers glimmer above and delicate floral motifs decorate the walls and arches, hinting at the fading grandeur of an ancient dynasty now under foreign influence.
Manikarnika, the wife of the king of Jhansi, refuses to bow down when the East India Company tries to annex the kingdom. Her rebellion soon turns into a fiery revolution against the British Raj.
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