Скачать или смотреть The LOST Pyramids of Sudan

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"The site was nearly deserted. A few locals were tidying up after recent restoration work, and young camel drivers were out looking for clients. In the midday heat, the bright glow of the desert helped focus my attention on the pyramids themselves.

Situated on the east bank of the Nile, some 150 miles by car northeast of Sudan’s capital, Khartoum, the Meroe pyramids — around 200 in total, many of them in ruins — seemed to be in perfect harmony with the surrounding landscape, as if the wind had smoothed their edges to accommodate them among the dunes.

Throughout the 30-year dictatorship of Omar Hassan al-Bashir, who led Sudan through a long series of wars and famines, the pyramids of Meroe saw few international visitors and remained relatively unknown.

But among the many consequences of the revolution that led to Mr. al-Bashir’s ouster in 2019 — along with the removal of Sudan in 2020 from the United States’ list of state sponsors of terrorism — was the hope that the country’s archaeological sites might receive broader attention and protections, not simply from researchers and international visitors but also from Sudanese citizens themselves.

I traveled to Sudan in February and March of 2020, just a few days before pandemic lockdowns fell into place in my home country of Italy.

I was attracted to a nation that had managed — through the strength, creativity and determination of its people — to free itself from a dictatorship. And I was keen to meet and photograph the protagonists and young actors of this historic moment.

Late in 2018, Mr. al-Bashir, the former dictator, had ended subsidies on fuel and wheat, leading to a surge in prices. The reaction of the people, exhausted by economic crises, was not long in coming.

A wave of demonstrations filled the streets of several towns, far beyond the capital Khartoum. These were Sudanese of all ethnicities, classes and generations — but above all students and young professionals.

During my visit, Amr Abdallah and Tawdia Abdalaziz, two young Sudanese doctors in their 20s, led me through the streets of Khartoum to see the symbolic sites of the revolution, showing me mile after mile of public art — graffiti, murals, verses — that marked the sites of the protests.

When they told me about Meroe and Ancient Nubia, the name of the region that stretches between Egypt and northern Sudan, I discovered that the majority of Sudanese had never had the opportunity to visit these sites — including the doctors themselves.

For me, as an Italian, it equated to never having had the chance to visit the Colosseum in Rome.

The ancient city of Meroe — part of a UNESCO World Heritage site since 2011 — is a four-hour drive from Khartoum, northeast along the Nile River. The pyramids here, built between 2,700 and 2,300 years ago, stand as a testament to the grandeur of the Kingdom of Kush, a major power from the eighth century B.C. to the fourth century A.D.

Compared to the monumental pyramids in Giza, Egypt, the structures at Meroe are significantly smaller — from around 30 to 100 feet tall, against the 455-foot-tall Great Pyramid — and their slopes steeper. As in Egypt, though, the pyramids serve as royal burial sites.

In recent years, the pyramids at Meroe — as well as other Sudanese archaeological sites up and down the Nile, including the pyramids at Nuri, farther north — have been threatened by rising floodwaters, as well as the continuing effects of wind and sand erosion.

Plans for new hydroelectric dams also threaten certain archaeological sites in Sudan — as they have in the past, when the construction of the Merowe Dam displaced tens of thousands of residents and led to a frenzied archaeological hunt for artifacts before they were submerged by the dam’s reservoir.

Perhaps the most infamous act of destruction at Meroe, however, is attributed to the Italian treasure hunter Giuseppe Ferlini, who in the 1830s destroyed several of the pyramids in a ruthless search for ancient artifacts.

With one hand on the steering wheel and the other holding his phone, Nour, our driver, was accustomed to bringing visitors to Meroe. Still, in his four-wheel-drive Toyota, we sometimes lost our way as we moved from one site to another, through vast stretches of deserts.

Local tour guides at the entrance to Meroe invited us to take camel rides, eager to remind us that this is a time-tested, if often neglected, tourist site."


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Intro Music:    • Chinggis khaanii Magtaal - Batzorig Vaanchig  

Select video clips courtesy of Pexels