എ.വി മുഹമ്മദിന്റെ ഗാനങ്ങൾ ഐ.പി സിദ്ധീക്കിന്റെ ശബ്ദത്താൽ പുനർജനിക്കുന്നു | Hit Songs Of A.V Muhammed

Watch: എ.വി മുഹമ്മദിന്റെ ഗാനങ്ങൾ ഐ.പി സിദ്ധീക്കിന്റെ ശബ്ദത്താൽ പുനർജനിക്കുന്നു Selected Hit Songs Of A.V Muhammed Sung By I.P Sidheek
00:11 Bismiyum Hamdum
04:42 Paranvidhi Chummavitt
08:55 Kanneeral Nirmichoru
12:56 Mamburapoo Makhamile
16:28 Allahuvinte
20:34 Aa Priya Soodarare
27:15 Manushya Nee
31:10 Pakalan Nishani
35:21 Thakarthaleedanam
39:51 Mahashaya pon
45:09 Ilahaya Puranod
49:56 Rasoolillahi Salam
54:35 Aakeloka Kaaranamutholi
58:07 Alankaara Suvanathil
1:03:22 Allahuvinte Porisha
1:06:52 Chara Chara Srishtikk
1:11:36 Ihaloka Vaasikalkk
1:15:12 Ilaahee Ekanam
1:20:52 Manimanjalil
1:25:58 Mehaboobul Bhakiya
1:30:28 Nabiye Kando
1:34:17 Rahmanalla
1:38:03 Rahmathin Maasam
1:42:48 Salla Alaikkallah

Mappila Paattu or Mappila Song is a folklore Muslim song genre rendered to lyrics in colloquial Mappila dialect of Malayalam laced with Arabic, by the Mappilas of Malabar.Mappila songs have a distinct cultural identity, while at the same time, remain closely linked to the cultural practices of Kerala. The songs often used words from Persia, Urdu, Tamil, Hindi apart from Arabic and Malayalam, but the grammatical syntax was always based on Malayalam. They deal with themes such as religion, love, satire and heroism, and are often sung at occasions of birth, marriage and death. Mappila Paattu form an integral part of the heritage of Malayalam literature today and is regarded by some as the most popular branch of Malayalam literature, enjoyed by all communities in Kerala
Mappila songs have been in circulation for over seven centuries, with the first dated work Muhyidheen Mala atrributed to Qadi Muhammad in 1607 AD. Thereafter a large number of literary materials was produced in this medium; one authority has calculated that of these more than 1600 items, complete or fragmentary, were known by 1976. Over the centuries, various types of Mappila Pattu were composed, in accordance with the religious and political surroundings in the lives of the Mappilas of Malabar. The early centuries were primarily based on devotional works, while the colonial era was marked by the battle song genre called Padappattu. Various other categories also grew during the centuries with subjects ranging from romantic ballads and marriage songs to philosophical ideas, sea journeys and even flood ordeals
The mala genre of Mappila songs, generally written in Arabi-Malayalam script are praises of pious personalities of Islam who were supposed to have gained high spiritual status. Generally, though most such works were themed on the lives of Sufi saints (Auliya) . Most of these songs narrate "superhuman" deeds of these saints. The songs became popular in an era when Sufism gained a strong foothold amongst the Mappilas. Each Mala often corresponded to the leader of a Sufi order called Thareeqath, who was abundantly showered praises in the poetry, often well-exceeding the limits of human capabilities. Popular among these are the Muhyidheen Mala, the Rifa'i mala, the Shaduli Mala, the Ajmeer Mala, and the Nafeesath mala. Each of these corresponded to their respective Sufi orders while the last is about Nafeesathul Misriyya, a woman Sufi saint of Egypt more commonly known as Sayyida Nafeesa.
The 17th century also witnessed the composition of other popular works in the Malappattu genre, namely the Rifai Mala (1623) by Ahammadul Kabeer, Uswath Mala (1628) and Valiya Naseehath Mala (1674) by Manantakath Kunhikoya Thangal.