Creating a Live-Ready Modular Patch from Scratch (part 1)

This Saturday, I've been invited to perform in Milan. Over the next few days, I'll be building the patch that I'll take to the stage, and I want to share this process with you. Starting from scratch, I'll document my thought process in creating a complex patch.

In this particular example, I'll build a patch capable of working without a computer, using only the modules I have available. The goal is to achieve a sound that is aggressive yet clean enough to work well on challenging speakers, given that I don't know what kind of setup I'll encounter.

Additionally, I want to share that the latest modules I've acquired, especially the delay and reverb, have significantly helped me achieve a richer, more professional sound. I'm very satisfied with these effects.

The only connections present at the beginning of the video were my end chain, which consists of a stereo filter, then the delay, then reverb, then a high-pass filter to eliminate frequencies below 30 Hz, and finally a double mono compressor.

I don't yet know the final outcome of this patch as I still need to finish it, but I wanted to post a video of the process since many of you have requested it. I hope you find it useful, and I'm ready to answer any questions you might have.

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Hi, I'm Polyterative, live performer, programmer and designer.
I use this channel to share with you everything I get up to with modular gear and where it takes me.I'm based in Bologna, Italy
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My rack:
▶ https://patcher.xyz/racks/details/21
Modulargrid alternative I've built:
▶ https://patcher.xyz
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My music and stuff:
▶ Linktree: https://linktr.ee/polyterative/
▶ Instagram:   / polyterative  
▶ Bandcamp: https://polyterative.bandcamp.com/
▶ Spotify: https://open.spotify.com/artist/1Z8s4...
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00:00 - Start
02:38 - Kick drum setup
04:07 - Adding percussion elements
06:20 - Creating bass and lead sounds
12:00 - Tuning the instruments
13:42 - Deciding between bass or drone
14:58 - Crafting the lead note line
16:01 - Balancing bass and lead
17:02 - Adding delay effects
19:10 - Changing the lead trigger source
20:13 - Lead trigger programming
21:13 - Lead notes and sound design
22:39 - Bass: adding plasma effect
24:42 - Adding hi-hats (fracture)
26:47 - Sound design and mix
28:27 - Adding violent elements
36:54 - Reverb and room design
39:35 - Mixing patterns
39:59 - Modulating the delay
41:55 - Sound design
45:37 - Repatching the fractures
46:54 - Further sound design
58:28 - Adding grit to the mix
59:50 - Mix, levels, room, and compression
1:01:08 - Creating a nice loop
1:04:06 - Tuning the design
1:05:11 - Changing the pattern
1:08:43 - Wrapping up the session
1:10:35 - End