Raga Bihag | Vidushi Dr. Ashwini Bhide Deshpande | Bajeri Mori Payal Jhan & Lat Ulajhi

Mesmerizing Rendition of Raag Bihag by Vidushi Ashwini Bhide Deshpande. The music in this video is the original recording from the album 'Ashwini Bhide-Deshpande – Classical Vocal Vol. 1', released in 1996.

00:00 - Bajeri Mori Payal Jhanana
28:50 - Lat Ulajhe Suljha Ja Balam
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Raga: Raga Bihag
Taal: Teentaal
Composition: Bajeri Mori Payal Jhanana
Lat Ulajhi Sulajha Ja Balam
Composer:
Vocalist: Vidushi Dr. Ashwini Bhide Deshpande
Style: Jaipur-Atrauli Gharana
Tanpura : Saniya Kulkarni
Tabla: Shri. Bharat Kamat
Harmonium: Shri. Arvind Thatte
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📝Lyrics:

Bajeri Mori Payal Jhanana:

बाजे री मोरी पायल झनन
कैसे घर आऊ तोरे पास ||

सास मोरी दुतिन ननन्द मोरी बैरन
कहे न आवत तोहे लाज ||

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Lat Ulajhi Suljha Ja Balam:

लट उलझी सुलझा जा बालम
हाथो मे मेहंदी लगी है मोरे ॥

माथे की बिंदीया बिखर गयी मोरी
अपने हाथ लगा जा बालम ||

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About Artists:

Dr. Ashwini Bhide-Deshpande:
Ashwini Tai belongs to the Jaipur-Atrauli gharana tradition. Ashwini Bhide-Deshpande was born in Mumbai on 7th October, 1960, into a family of music connoisseurs and musicians. She completed her Sangeet Visharad from the Akhil Bharatiya Gandharva Mahavidyalaya. Being a scholar, Ashwinitai also obtained a PhD in Biochemistry from the reputed Bhabha Atomic Research Centre, Mumbai.
Ashwinitai‘s journey into classical music began under the tutelage of Narayanrao Datar, who belonged to the Paluskar branch of the Gwalior gharana. Later, her disciplined taleem under her mother, Manik Bhide (who herself was trained under the legendary Kishori Amonkar) was largely made up of learning the traditional aspects of the Jaipur-Atrauli style of raga development and also studying the nuances of raga-music. She then went on to train under Ratnakar Pai, a renowned teacher of the gharana, from whom she received further guidance and a great repertoire of the traditional paramparik compositions and ragas. Because of her influences from the Jaipur-Atrauli, Mewati and Patiala gharanas, she has created her own musical style. She holds a strong command over the three primary saptaks.
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No copyright owned. These uploads are solely intended for the purpose of sharing this exquisite music, with absolutely no commercial intent. If anyone has concerns or wishes for us to remove them, please contact us at [email protected]
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