Vintage Art: Paintings by Horace Pippin | 30 Minutes of Relaxing 8K HD Video with Calming Music

Artist: Horace Pippin
(American, 1888-1946)

Chapters:
00:00 - Sunday Morning Breakfast (1943)
02:31 - Giving Thanks (1942)
05:01 - Supper Time (1940)
07:31 - Christ and the Woman of Samaria (1940)
10:01 - Abraham Lincoln and His Father Building Their Cabin on Pigeon Creek (c. 1934)
12:31 - The Blue Tiger (1933-1937)
15:01 - Cabin in the Cotton (c. 1931–1937)
17:31 - Old Black Joe (1943)
20:01 - Asleep (1943)
22:31 - Victorian Interior I (1945)
25:01 - Table and Two Chairs (1946)
27:31 - Holy Mountain IV (1946)


About Artist:

Horace Pippin (1888–1946) was a self-taught American artist whose works captured the essence of African American life, social issues, and historical narratives. Born in West Chester, Pennsylvania, Pippin had little formal education and faced significant challenges throughout his life. He served in World War I as part of the Harlem Hellfighters, an experience that left him with a severely injured right arm. Despite this disability, Pippin taught himself to paint by holding the brush in his good hand and using his injured arm for support, gradually developing a distinctive style marked by bold colors, strong outlines, and a deep sense of storytelling.

Pippin’s art often depicted African American culture, religion, and history, while also reflecting on his wartime experiences. One of his most well-known works, “Sunday Morning Breakfast” (1943), presents a vivid depiction of a domestic scene, emphasizing the importance of family and community in African American life. Another notable painting, “Giving Thanks” (1942), captures a moment of quiet gratitude, underscoring Pippin’s sensitivity to the spiritual aspects of everyday life.

In addition to his scenes of African American life, Pippin painted historical and religious subjects. His “Abraham Lincoln and His Father Building Their Cabin on Pigeon Creek” (c. 1934) is a striking representation of the early struggles of one of America’s most iconic figures, blending realism with a folk-art sensibility. Similarly, “Christ and the Woman of Samaria” (1940) demonstrates his interest in religious themes, using simplified forms and deep, muted tones to create a powerful spiritual message.

Pippin's works often combined personal reflection with broader societal themes, making him a vital voice in American art. His unique style, born out of both necessity and creativity, continues to resonate today, offering insights into both the personal and cultural history of his time.